--This wasn’t a make-or-break moment for me, but I wish we had gotten the 20th Century Fox logo at the beginning, now that Disney owns the rights.
--So after being secret for so long, why did the Emperor broadcast himself across the galaxy? And if Vader could call to Luke across the galaxy, why can’t the Emperor just call to Kylo Ren? It seems like getting Kylo’s attention was his only end goal.
--I’m surprised that others were unhappy with how Carrie Fisher’s footage was used in this movie. I thought it was pretty seamless, in addition to being respectful. And instead of just a pointless cameo, her story was used to move the plot forward (the emotional impact of her passing, as felt in the Force, was a key moment in Kylo/Ben’s turn). And kudos to Disney for managing to keep Harrison Ford’s cameo a secret!
--Since C-3PO is probably my favorite character, I’m thrilled with the way he was handled in this movie. He’s finally useful to the plot of a Star Wars movie for the first time since 1983! Not only does he move the plot forward, but he makes a selfless decision (“Taking one last look at my friends”), even though we all knew he’d get his memory back in the end. He even translates another alien’s language (this protocol droid hasn’t translated for anyone but R2-D2 in decades). His comic relief is also legitimately funny this time.
--It was said that John Williams was going to incorporate all the major themes from the previous movies into this one, but I didn’t really hear very much, except for the Imperial Theme once or twice, and the Force theme over and over again. My son also heard some of “Battle of the Heroes” in Rey’s training. Granted, I don’t want themes shoehorned in where they don’t belong, but it was a marketing gaffe to tell us to expect all these themes if they weren’t going to be there. At any rate, I enjoyed the new dark chorus that we hear during the Emperor’s scenes.
--Did it anyone else find it weird that the big alien with tentacles coming out of his head (who’s apparently named
Klaud) was featured in early promotional art, and then showed up in the early moments of the film as if everyone already knew who he was...and then he vanished until the final celebration? I wonder if he was a casualty of the editing room. That said, I was worried that he’d be the new Jar-Jar, so at least that didn’t happen. But none of the new aliens introduced in these films made an impression on me.
--We made it through an entire trilogy without knowing where Coruscant is or what happened to it. There was a big city-like planet that got blown up in
The Force Awakens. Why didn’t the filmmakers just have that be Coruscant? They had no plans for it otherwise, and that would have made the destruction more impactful on the audience.
--Rather than making Finn into another Force-sensitive person, I think it would have been much more interesting if Finn knew which ship to go after in the big battle because, as a former Stormtrooper, he has inner working knowledge of Imperial strategy. That’s a crucial part of his personality that was completely forgotten about, and would have been more interesting than just “I feel it.”