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Would it seem plausible (enough anyway) for me to have Soundwave discover Sam's general location later in the film using the phone call from Simmons to Lennox? Originally Soundwave makes this discovery because of the "Checkpoint" scene with the Oompa Loompa (There's a camera which catches Sam's face and is forwarded to the CIA). I don't feel the scene is necessary, and just slows things down myself. What do you guys think?
Also, the trouble with Simmons seeing Prime etc. parachute out of the plane...
Currently I've cut all of the scenes of Simmons watching the them and commenting on the dropping the big boy, so technically you can say he doesn't see the parachuting part. However, there is nothing in between him seeing the planes and the remaining parachute sequence, so there it may still feel like he sees them. At least it feels like that to me. Would you guys agree? I'm not sure if there is a later scene I can splice in there to break it up. I'm not sure if I want to try and do a fade or anything because the energy would just feel off to me.
Also, the trouble with Simmons seeing Prime etc. parachute out of the plane...
Currently I've cut all of the scenes of Simmons watching the them and commenting on the dropping the big boy, so technically you can say he doesn't see the parachuting part. However, there is nothing in between him seeing the planes and the remaining parachute sequence, so there it may still feel like he sees them. At least it feels like that to me. Would you guys agree? I'm not sure if there is a later scene I can splice in there to break it up. I'm not sure if I want to try and do a fade or anything because the energy would just feel off to me.