Yup, but I sourced that from Hal’s since it was the most complete audio I could find then…the shot of Vito had however been slowed, and I did not notice. SonnyGFunk brought to my attention the full audio source and that led to the solution…
There are a bunch of other minutiae I am working on also identified by SonnyG, which I’m incorporating ahead of the 4K analysis. These tweaks will be added to the 4K analysis though I will render them pre 4K so that a full final HD from current sources exists.
I saw the 4K in the cinema on Sunday. There are defo a few new shots during the Salozo shooting… the overall quality was breathtaking but it is dark…so I am not sure how well the eye will deal with the profusion of blacks in a brightly lit room rather than a dark theatre?
My gut is to add missing material to the existing build rather than add Magnum Opus material the the 4K sourced blu rays. Why? The color and luminance are quite different and it will be jarring. Further, although color can be corrected from the magnum opus, it just won’t align well visually. Easier to conform any new material to the Magnum Opus than the inverse… at least at this point… let’s wait and see.