Vote now in wave 1 of the FEOTM Reboot!
General plan of changes:
- Regraded the film scene-by-scene and shot-by-shot (if needed) to tone down excessive tinting, make blacks black (not grey), make whites white (not grey), lighten up scenes that were impenetrably dark, increase saturation in some scenes, decrease saturation in other places and generally make things look more varied and contrasty.
- Removed overlayed location titles because the '82 film had none and the information isn't really important.
- Made some (hopefully invisible) VisFX tweaks t ofix continuity mistakes and combine multiple takes into single shots.
- Reordered some lines and shots, mostly to facilitate removals of dead time but these changes are rare.
Cuts and Additions:
I've made 429 tiny cuts to the length of shots which are far too numerous and small to list but here is a list of other more significant changes:
00.00.00 - TM2YC and FE.org titlecards added.
00.02.18 - Opening sequence rearranged and shortened to more closely approximate the faster pace and intercutting style of the '82 opening e.g. the eye is now in two shots in the middle and we open on a slow fade up timed to the music.
00.02.36 - Removed part of shot that had the opening location title.
00.03.47 - FX tweak to time the spinner door closing with K clicking the thing in his hand.
00.04.59 - Added slow zoom in on the kitchen to make it more of a Sapper POV and to smooth in the cut to Sapper already in motion in the next shot.
00.07.05 - Reordered shots to increase pace and to make the timing of the gun being placed on the table more menacing.
00.10.24 - Tweaked yellow flower in long shot so it's more prominent. Also added slow zoom in on tree and animated spinner window to match new camera move.
00.11.46 - Shortened flying sequence and timed the cuts to the drum beats on the soundtrack.
00.11.52 - Matted the window to adjust the grade separately in order to maintain a consistently grey sky.
00.12.34 - Matted the window to adjust the grade separately in order to maintain a consistently grey sky.
00.13.02 - FX tweak to remove the baseline onscreen title.
00.22.32 - FX tweak to fix continuity error by adding Madam's elbow to the edge of the autopsy table.
00.23.18 - Rearranged a couple of lines to aid the removal of some dead time and to make the conversation flow better.
00.23.45 - Added slow zoom in on K's face to make the shot more impactful.
00.25.12 - FX tweak to combine two halves of this shot so K reacts to Madam quicker.
00.26.09 - Adjusted grade of two shots to fix mis-match of neon lighting colour across the cut.
00.26.29 - FX tweak to remove Wallace onscreen title.
00.27.42 - FX tweak to re-time Luv and what is on her computer screen.
00.31.57 - FX tweak to combine two halves of this shot so Luv reacts quicker to K's comment.
00.43.54 - Added slow zoom onto the carving to make the shot more focused.
00.46.56 - FX tweak to combine three parts of this shot so Madam and K's conversation occurs quicker.
00.48.27 - FX tweak to make the gap between Madam's lines shorter.
00.48.43 - Added slow zoom out to the first 2 seconds of this shot to increase the menace in Madam's stare.
00.49.19 - FX tweak to re-time computer screen readout.
00.49.54 - Added slow zoom to shot of screen to make it feel more like a natural POV from K.
00.53.31 - Several shots in this sequence had to have the windows matted and colour timed differently to maintain a properly graded cockpit but keep the skies grey and overcast.
00.54.36 - Did my best to correct what I believe to be an FX error. Joy's head was partially transparent, so I've made the black of her hair black again to look more solid. It's improved but not fixed.
00.56.18 - Sped up pace of K waking up, this meant I had to carefully re-time each of the heavy bass beats of the music, so the gaps between them were all consistent to the new pace.
01.03.00 - Added slow zoom to make the shot more focused on what K is looking at.
01.04.46 - Added slow zoom to make the shot more focused on what K is looking at.
01.07.11 - Added slow zoom in on horse to make the shot a little more intense.
01.09.12 - FX tweak to combine two halves of this shot to decrease the gap between lines.
01.12.47 - Added slow zooms in on K and Ana's faces to make them a little more intense.
01.13.13 - Cropped shot of K's face tighter to be more focused on his reaction and to maintain consistency with the new earlier zoomed shot.
01.13.37 - Added slow zoom and camera tracking move to focus in much more on K flipping out.
01.18.26 - FX tweak to combine two halves of this shot to decrease the gap between lines.
01.35.26 - Added slow zoom to draw more focus to the dog.
01.42.36 - Added slow zoom in on K's face to make the shot more interesting and intense.
02.16.20 - Brought forward shot of Deckard looking down at the horse to increase pace and drama. FX tweak to re-time movement of K's arm.
02.16.35 - FX tweak to combine two halves of this shot to improve pacing.
02.18.18 - Reordered ending shots to intercut K and the snow, with Ana and the snow, timed to the existing Vangelis music.
02.19.17 - Added slow zoom out and upwards from K's body to give his last shot more finality.
Paden said:Hey TM2YC
Excited to see your edit of BR2049but couldn't find it on .info, is it released somewhere else?
Cheers, Paul
Canon Editor said:The design doesn’t look bad, but the images look kind of squashed. If you fixed that, the cover would be very good.
jyndir said:My guess is they were just looking for a quick and dirty reminder of her hologram-ness. She can look a bit too corporeal in some scenes. On the matter of continuity - I was surprised at how obvious some of the errors are in this film. Most are easily fixed (which begs the question as to why they weren't dealt with by the editors), but there's a nasty one in the "Are you telling me 'No'?" scene with Madam and K that I'm still working on. Madam is half way to her desk in one shot and then she's back leaning against the window sill the next. Messy. Harrison Ford's instant hair-drying in the Luv vs K scene cracked me up - but turned out to be pretty easy to iron out (and increase the tension in the scene at the same time).
ajtpak said:Can I get subtitles for the fan edit or would that be too difficult?