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James Bond 007 - Never Say Never Again - 40th Anniversary EON Cut

TheWorld ofJamesBond

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Hello everyone,

I'm 'TheWorldofJamesBond' and this is my first attempt at a fanedit inspired by Blofeld's Cat fantastic edit, 'Never Say McClory Again'.

For starters, I want fix the audio particularly where dialogue is concerned. There are parts that sound quite muffled in the original 1983 film mix. My plan is to EQ the dialogue to make it more audible. Next, I want to add new foley to give more punch to the SFX. I will add a different score to this edit utilising John Barry's soundtrack from the film The Specialist (1994), the largely unused score from The Golden Child (1986) and the James Bond Suite from a 1972 Barry conducted album, 'The Concert John Barry'. There will be some additional cues from the Thunderball soundtrack, specifically the 'Mr. Kiss Kiss Bang Bang' flourishes as the new title song will be 'Mr Kiss Kiss Bang Bang' by Shirley Bassey.

There is a new title sequence assembled, the basis being from the textless end credits of For Your Eyes Only (1981), I have chroma keyed the silhouettes and other visual elements from the Thunderball and Licence to Kill textless titles respectively. Some other visual elements, mainly comprising of shots from Never Say Never Again featuring Sean Connery will be added to the finished title sequence. There will also be new end credits for this edit matching the font of the main titles.

My plan is to trim out any parts that appear superfluous or drag the pacing of the film. I'm not a fan of Edward Fox's M or his histrionics, parts of his dialogue and his facial reactions will be trimmed. The fight sequence at Shrublands is a little slow in parts and there is a jump cut when Bond kicks Lippe in the face. My plan is to make some trims to speed up the pacing. As for the jump cut, I will insert a brief close up of Bond in between the cut. Scenes with Nigel Small-Fawcett will be cut with the exception of the last scene. Most of his scenes have a lot of unnecessary exposition especially when we learn that Largo has already left the Bahamas when Bond goes to the bar. Plus I think there will be more tension during the hotel bomb scene without the awkward telephone call from Nigel. There will be other cuts throughout the planned edit.

For the opening Pre Title sequence, there will be added footage to pad out the scale of the wargames sequence. First off, Bond parachutes to near the location, for these shots I have borrowed from the film Bat 21 (1988). There is a helicopter surveying the area as it flies over the building. I have used AI to erase the 'burned in' titles from NSNA with three shots. This was done to avoid cropping and zooming in which would result in a grainer image. I have added muzzle flashes from Bond's machine gun when he enters the building. I plan add to footage to expand other action sequences.

I have so far completed the first 25 minutes, I've also completed a teaser trailer complied in the style of typical EON 1980's Bond trailer. I will also assemble a full length trailer when I near completion of the entire fanedit.

Change List: VFX CHANGES

- Burnt-in titles have been removed with AI.
- New Main Title Sequence.
- Added Muzzle Flashes to Bond's Machine Gun during the PTS.
- New Colour grading to the Cruise Missile POV for a more computer-like rendering
- Added new shot of Bond firing his pistol at Fatima from the Balcony.
- New End Credit Sequence with Union Jack waving in the background.

NEW/EXTENDED SEQUENCES

- Extended Pre Title-Sequence. Jet flies over and Bond parachutes near the location.
- New footage of Jack trying hit the brakes when Fatima chucks the snake in his car. Car screeches off course before crashing.
- New footage of the Cruise Missiles crashing into the sea
- Added footage of a Jet Fighter flying over Palmyra fortress and bombing the fortress instead of being shelled by the Submarine.
- New Sequence of White House exterior, cut to a close up of bomb counter before ending on a close up of the ‘Oval Office’ floor.
- Added footage for extended shots of the Tears of Allah caving in and being destroyed by subsequent explosions.

Footage sourced from Bat 21 (1988), The Appointment (1981), Firefox (1982), Iron Eagle (1986), The Pink Panther Strikes Again (1976) Hunters of the Golden Cobra (1982) and Juggernaut (1974).


AUDIO CHANGES

- Main Title Sequence with different theme song, 'Mr. Kiss Kiss, Bang Bang'.
- Michel Legrand's score has been 100% removed and replaced with John Barry soundtrack cues from 'Thunderball'(1965), 'The James Bond Suite'(1972), 'Raise the Titanic'(1980), 'The Golden Child'(1986), 'The Specialist'(1994), 'Star Crash'(1978) and 'Deadfall'(1968).
- Dialogue track has been EQ'd for more clarity and gained up in the audio mix.
- Enhanced SFX has been added to key action sequences.
- 'Psycho Killer' by Talking Heads plays on Fatima's radio when she disposes of Jack.
- 'Never Say Never' by Romeo Void plays in the background when Domino dances with her trainer and plays again when Largo spies on Bond and Domino talking.
- New Stereo Mix of the original 1962 James Bond Theme from Dr. No added to End Credits.
- New End Credits Theme, 'The Best Man in The World' from 'The Golden Child'

CUT LIST

- Added United Artists (1982) Logo
- Added Gunbarrel VFX from NSMcA fanedit.
- Extended Pre Title Sequence. Jet flies over and Bond parachutes near the location. Helicopter surveys the Wargames area throughout. Added VFX to Bond's machine gun for muzzle flashes.
- New Main Title Sequence.
- New Establishing shot of Bank sign from The Bourne Identity (1988) after Main Titles
- Similar truncated edit of Spectre HQ meeting like the NSMcA fanedit.
- Added Establishing shot of MI6 from A View to A Kill (1985).
- Truncated M watching the video playback of Bond's Wargames Assignment. M doesn't wince before Bond gets stabbed.
- Cut Bond's line, "Not too shabby, sir.
- Cut M's line, 'You're dead, 007. Dead!'.
- The M scene ends with Bond saying, 'Then I shall cut out the white bread, sir'. The rest of the scene is superfluous as it's better to show Bond going to the Health Clinic as it soon becomes obvious why he’s there in later scenes. It plays better for humourous effect with Bond coming across as somewhat insubordinate to the new M.
- Cut Moneypenny's reaction after Bond's line, 'I'm to eliminate all free radicals'. We jump cut to Shrublands.
- Cut Patricia's line, 'Mine'.

- When Bond is in his room, we now see the contents of his secret briefcase of fancy food and drink before Pat arrives.
- Cut after Bond opens the door, Pat says, 'I thought I might surprise you, James'. It's better to imply that Pat has come to Bond's room to spend the night with him rather than the farce exchange that followed in the original.
- Cut Bond awkwardly standing outside Jack's room when the blind rolls up and reveals Bond at the window. Bond slides away faster this time.
- Changed the colour grading of Fatima's Night vision goggles to reflect a blue tint.
- Cut Bond exchange with doctor.
- Cut Bond investigating Jack's room and picking up the matches with Largo's insignia. As Bond sees the same insignia on a bag from the night before, we learn nothing new here.
- Similar to the NSMcA fanedit, Count Lippe doesn't choke the janitor or throw him around later thinking it's Bond.

- Add close up of Bond before he kicks Count Lippe's face, correcting the bad jump cut.
- Some minor trims throughout the Bond/Count Lippe fight to speed up the sequence.
- Bond doesn't awkwardly wait for Count Lippe to run down the stairs.
- The Chef leaves the kitchen immediately when Bond is thrown through the window and doesn’t stand around awkwardly watching the fight.
- Cut lines from Bond and M exchange, 'A man did try to kill me, sir'...'Oooh, caught you seducing his wife, did he? ‘...’No, sir, not at all' etc
- After M's rant about the damage to Shrublands, Bond just replies with, 'But in fact, I lost four pounds and God knows how many free radicals'. Plays better to end scene with joke. Jump cut to Swadley Air Base.
- Minor trims to Jack in the computer terminal sequence.
- Minor trim with the warheads being loaded onto the plane.

- Cut Fatima pointing at the road to distract Jack, Fatima just throws the snake at Jack.
- Cut Fatima planting a bomb and detonating it. It makes no sense. There's no mention of a bomb (Realistically, ballistics would discover this). It's referenced later that Jack was killed in a car crash, no mention of a planted bomb. So… no bomb.
- Cut Scene with Henchman and Kovacs. Kovacs' dialogue is badly dubbed and not the actor's actual voice. Plus, it's unnecessary exposition about the Missiles coming.
- Minor trims to Missiles flying over, cut shot of Missiles flying over the beach and the kids not reacting. (Stupid, so stupid).
- Cut ‘out of focus’ shot at Swadley Air Base as the Cruise Missiles go off trajectory.
- Truncated General Assembly meeting with Blofeld’s demands. The sequence ends with shot of Blofeld’s skull camera retracting back and closing after he says, ‘revenge…’. The rest of the sequence is cut out. Too many histrionics from the delegates and Air Force General. Overall, bad dialogue and unnecessary exposition about reinstating the Double-O section at the end too.

- Added footage from Firefox (1982) for Establishing shot of London before we cut to James at the Computer researching Largo.
- Similar edit to the NSMcA fanedit with the M briefing scene taking place before Largo returns to his yacht.
- Largo and Domino scene ends with Largo’s line, ‘Then I’d cut your throat…’ and he leaves the room. Cut Domino’s reaction because she doesn’t come across as disturbed.
- New establishing shot of MI6 from Licence To Kill (1989) leading up to the Q scene.
- Bond doesn’t meet Nigel in the Bahamas (exposition we don’t need and bad humour we can do without). Instead, we go from Bond meeting the lady at the dock scene to Bond inquiring about Largo’s yacht at the bar.
- Minor trims to Fatima waterskiing.
- After Bond and Fatima kiss, jump cut to them diving into the ocean. Like the NSMcA fanedit, no tacky sex scene.

- Minor cuts made to speed up underwater shark attack sequence. One moment was slightly edited to remove a bad jump cut.
- When Bond is rescued by the lady he met at the dock from earlier. No dialogue. She just reacts by looking aroused. Plays better by not repeating the same joke from earlier.
- Bond and lady are not interrupted by Nigel phoning Bond. Again, bad humour, awkwardly ruins the tension of the bomb supposedly underneath the bed.
- Minor trim of establishing shot of the French Riviera and plane landing.
- Cut brief shot of Felix clutching cricket ball.
- Cut Nicole standing awkwardly before running over to meet Bond at the airport.
- Cut crossfade from airport scene to the ocean view from the villa. Also cut crossfade of the car pulling up to the villa.

- Cut Felix saying, ‘Patachi’ similar to the NSMcA fanedit.
- Cut Nicole saying, ‘That’s right, he was her brother…’
- Minor trims to Domino arriving by boat. No crossfades.
- Similar cut to Domino massage scene like the NSMcA fanedit.
- Bond arrives at Casino. He chased after by the Bouncer. We hear Bond punching him off-screen. Jump cut to Bond pushing him into the backroom with the gun. Faster edit, makes Bond look more professional. No awkward looking around and stupid joke as Bond pretends to be aiding a sick friend as the bouncer wheezes in pain.
- Minor trims to Bond introducing himself. He looks more confident here. The original version, he looks almost pained before and after he utters the line.
- Minor trim to Bond and Largo meeting scene.

- When Bond retrieves his cigar case from the Bouncer, the Bouncer doesn’t faint after Bond leaves.
- Similar cut to the NSMcA fanedit when Bond chases after Fatima in the villa.
- Bond shoots from the Balcony but misses Fatima as she drives off.
- Minor trims to Bond preparing the motorcycle as he pursues Fatima.
- Faster cuts to speed up the Motorcycle chase.
- Similar cut to the NSMcA fanedit when Bond is ambushed in the tunnel.
- Moved forward Fatima’s line, ‘Don’t touch him he’s mine!’ to correct a massive jump edit when Bond is wedged between two cars over the bridge. This line precedes that cut. Some slight editing to change the framing of the sequence.
- Similar cut to the NSMcA fanedit when Fatima confronts Bond.
- After Fatima blows up and Bond quips, ‘Not perfected yet….’, the sequence ends on the shot of Fatima’s shoes smoking.
- No Felix turning up, doesn’t make sense.

- Minor trims to Bond and Felix investigating Largo’s yacht underwater.
- Truncated Bond and Largo scene. Bond says, ‘I’m at your disposal’. Largo sniggers. End of sequence.
- Cut Felix coming out of the water. Instead, Felix looks on as the yacht sails away.
- Cut pointless scene of Bond and Domino trying to talk to each other before being interrupted by the steward.
- Largo smashing Domino’s workout studio is trimmed. As Largo smashes the record player, we cut to Bond smirking back. - Jump cut to M’s assistant with Bond’s message.
- Minor trim to Palmyra sequence. Largo does not make Domino drop the statue. Instead, she drops it when he forces a kiss on her. Cut Largo whistling at her.
- Cut Largo’s line, ‘You’ll see….’ After mentioning the view.
- After Bond asks where the second bomb is located, Largo reacts with a ‘shhh’, turns away from Bond and leaves. Largo doesn’t compliment Bond on being a great secret agent and then awkwardly farewells him.

- Minor trim to Bond’s escape from the dungeon. The guard doesn’t look around the room when he enters. He opens the door. Cut to the broken bars, the guard runs straight to the window and Bond pulls him out. No jump cut either.
- Trimmed the horseback sequence for a faster pace. Cut the silly wide shot of the model horse with Bond and Domino falling. Plus, it makes out that the fortress is higher than it should be.
- The submarine does not fire missiles at the fortress. Instead, an Air Force jet flies over and bombs the fortress. Also merged two fortress explosion shots as one edit as they were actually the same take from different angles.
- When Felix rescues Bond and Domino, he does not say, ‘Bond, you’re a hard man to keep up with….’ Instead, Felix is heard saying, ‘Come on…this way….’ And ‘Good show, James’. As they drive away, Bond then says, ‘clear the line to Washington, Felix….’
- Brief sequence of bomb underneath White House.
- Establishing shot of Submarine underwater, when a voice announces, ‘Commander Bond, the Washington bomb has been located and defused’.
- Cut Bond and Domino having a shower together and their conversation – completely cut. Bad writing, bad acting. Kim looks and seems visibly uncomfortable during this scene. Plus, good excuse to cut more of Edward Fox’s terrible performance as M when he comes through the Tannoy.

- Minor trims to submarine sequence when tracking Largo and searching for the Tears of Allah. Less exposition.
- Minor trims to Largo’s underwater fleet making their journey to the Tears of Allah.
- Cut dialogue - Commander Peterson, ‘That’s top secret, how do you know about them?’ Bond, ‘from a Russian translation of your service manual, sorry about that’. Instead, Bond asks about the XT7Bs when Commander Peterson nods and Bond follows behind him.
- Minor trim similar to the NSMcA fanedit, as the XT7Bs land near the coastline.
- Minor trims as Largo and crew arrive at the Tears of Allah.
- Cut Bond signalling Felix that he’s going up through the cave and Felix awkwardly holding his weapon.
- Cut Largo and Kovacs face-timing (lol) Blofeld.
- Trimmed Largo dialogue, ‘Huh! Kovacs!’ after talking about the Tears of Allah.

- Trimmed scene with Bond as he pushes Statue head over the cliff edge. The edit is smoother as the statue head falls to the ground, the original edit was messy.
- Fixed edit with Felix shooting the two spectre henchmen. The original was awkwardly paced. This time they fall as he shoots.
- Truncated the henchman that gets caught on fire for a tighter pace.
- Bond doesn’t just sit around, he exits much quicker than the original edit.
- Truncated Largo and Kovacs arming the warhead and Largo escaping.
- New destruction scene of the Tears of Allah. The original was very underwhelming. This time more explosions, fire, lava and rocks cave it in.
- Similar edit to the final confrontation between Bond and Largo like the NSMcA fanedit.
- Cut Domino reaction shots, Domino doesn’t wave goodbye to Largo or flail at him.
- Bond and Domino turn to each other and swim up.
- The film continues as normal, Nigel turns up and asks Bond to return to service. Bond refuses, winks at the camera and we jump cut to the end credits.
 

asterixsmeagol

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My only suggestion would be cutting the first shot of the sky through the barrel a couple of frame shorter so we don't get a flash of the plane in the right corner before it comes into full frame on the left
 

Dwight Fry

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My only suggestion would be cutting the first shot of the sky through the barrel a couple of frame shorter so we don't get a flash of the plane in the right corner before it comes into full frame on the left
I was about to ask if the opposite was possible: to have the shot go on so we get more of the plane on screen. One way or the other, true that the shot as it is is not working.

Other than that, I like where this is going. I'm actually a fan of NSNA (which seems to earn me the derision of half the Bond fanbase) and even though I never "needed" it to resemble EON, I'm digging the approach. I'd be happy to preview this one if needed.

Just one thing: there is a spelling goof in the credits (the actor's name is Gavan O'Herlihy, not Gavin), and I'm thinking: would it be possible to start the first shot of the credits with a red tint that then fades to blue? Given that we come from Bond being "stabbed", starting in blood red would, I think, be thematically better that cutting straight to the undersea theme.
 
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TheWorld ofJamesBond

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My only suggestion would be cutting the first shot of the sky through the barrel a couple of frame shorter so we don't get a flash of the plane in the right corner before it comes into full frame on the left
I'll probably keep the angle, but erase the plane from the final shot.
I was about to ask if the opposite was possible: to have the shot go on so we get more of the plane on screen. One way or the other, true that the shot as it is is not working.

Other than that, I like where this is going. I'm actually a fan of NSNA (which seems to earn me the derision of half the Bond fanbase) and even though I never "needed" it to resemble EON, I'm digging the approach. I'd be happy to preview this one if needed.

Just one thing: there is a spelling goof in the credits (the actor's name is Gavan O'Herlihy, not Gavin), and I'm thinking: would it be possible to start the first shot of the credits with a red tint that then fades to blue? Given that we come from Bond being "stabbed", starting in blood red would, I think, be thematically better that cutting straight to the undersea theme.
I wish the shot was longer too but unfortunately as per the scene from Bat 21 (1988), the plane's tail is shot off and I didn't want to reveal that. So like I said to asterixsmeagol, I'll just erase the plane from the establishing shot.

I'm fan of NSNA too, it's a pretty underrated film IMO. I just don't like the music score by Michel LeGrand, it's like elevator muzak. The theme song is equally bland and forgettable. I also think that the pacing (while still better than Thunderball's pacing) is still a bit slow in parts. So my intention is to cut out anything that repeats exposition or anything else that the audience ends up learning later. I also want to add more establishing shots, case and point: MI6/Universal Exports. Apart from interior scenes, we never actually see the exterior of MI6 in NSNA. So that will be added, mainly using shots from A View To A Kill and The Living Daylights.

My bad about the spelling haha. I'll fix that.

I love the idea about the blood red titles for the first bit, will definitely use that, thanks for the suggestion!
What AI software did you use to remove the credits? It looks really good!
Thanks, I used Runway. It was part of the reason for making this edit possible.
 

ScottCrane

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I’m very impressed with what I’ve seen so far, though I concur with the statements about the plane shot.

And music is always a matter of taste of course, and every fan editor naturally picks the cues he or she likes most, but I can’t help feeling that Barry composed a lot of music that’s much more fresh and exciting than the cues that are used here so far (save for the bits of the JB theme). I think these cues almost discredit the marvelous work you’ve done so far, and make the scenes less exciting. Just my opinion of course.

I’d be more than happy to do a few suggestions if you like.
 

TheWorld ofJamesBond

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I’m very impressed with what I’ve seen so far, though I concur with the statements about the plane shot.

And music is always a matter of taste of course, and every fan editor naturally picks the cues he or she likes most, but I can’t help feeling that Barry composed a lot of music that’s much more fresh and exciting than the cues that are used here so far (save for the bits of the JB theme). I think these cues almost discredit the marvelous work you’ve done so far, and make the scenes less exciting. Just my opinion of course.

I’d be more than happy to do a few suggestions if you like.
Thanks, I appreciate that. There will be changes along the way and I'm open to all suggestions that will help improve the final edit. As with the music cues, if you have a better alternative I'm happy to try it out.
 

Hymie

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I did an edit some years back using a lot of the ideas you're using here and was very happy with the results. I was thinking about redoing it in HD since its been a decade since I worked on it off the old DVD but now I guess I'll wait and look forward to what you're doing. The Golden Child and The Specialist were both great sources of Barry music to add that wasn't just reusing Bond tracks. I also recommend looking at his scores for Howard the Duck and Raise the Titanic, as they offer some more action oriented cues that might be helpful. Good luck, the work you've done so far looks good.
 

ParanoidAndroid

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I did an edit some years back using a lot of the ideas you're using here and was very happy with the results. I was thinking about redoing it in HD since its been a decade since I worked on it off the old DVD but now I guess I'll wait and look forward to what you're doing. The Golden Child and The Specialist were both great sources of Barry music to add that wasn't just reusing Bond tracks. I also recommend looking at his scores for Howard the Duck and Raise the Titanic, as they offer some more action oriented cues that might be helpful. Good luck, the work you've done so far looks good.
Can speak for Raise the Titanic having an excellent soundtrack, whatever one thinks of the overall quality of the film, very dull in my opinion unless it is edited!

My favourite bit of music from it though is a gentle piece reminiscent of Midnight Cowboy, which I have actually never seen!
 

TheWorld ofJamesBond

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I did an edit some years back using a lot of the ideas you're using here and was very happy with the results. I was thinking about redoing it in HD since its been a decade since I worked on it off the old DVD but now I guess I'll wait and look forward to what you're doing. The Golden Child and The Specialist were both great sources of Barry music to add that wasn't just reusing Bond tracks. I also recommend looking at his scores for Howard the Duck and Raise the Titanic, as they offer some more action oriented cues that might be helpful. Good luck, the work you've done so far looks good.
Can speak for Raise the Titanic having an excellent soundtrack, whatever one thinks of the overall quality of the film, very dull in my opinion unless it is edited!

My favourite bit of music from it though is a gentle piece reminiscent of Midnight Cowboy, which I have actually never seen!
Thanks, I'll definitely check out those soundtracks.
 

TheWorld ofJamesBond

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For my final edit, I want to add a new sequence plus other footage to extend pre-existing scenes in the film. Firstly, the new sequence planned will feature the first warhead being located and defused in the White House. However, because I will need to construct the sequence from other footage. This is where I'm a little stumped.

The planned sequence goes like this:

- Establishing shot - White House.
- Oval office is evacuated.
- Next, a team of agents are running down dark hallway (like an underground level).
- Jump cut - Members of the unit are scanning/surveying the area
- Warhead is located and defused.

Another sequence I wish to add is a close up of Fatima's car side ramming Jack's car off the road before he crashes. This is also another piece I'm missing.

Finally, I want to add some close up shots of cave/pillar/middle eastern structures collapsing and exploding for the Tears of Allah sequence. This too, I need to find sources.

I don't want to use any footage that will stand out from well known films. The more obscure, the better.

I'm not sure where to start but I'm open to suggestions.
 

Hymie

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Superman II might be good for the White House stuff, released around the same time so at least for some establishing shots it might be useful. I suspect Canon films might have some good footage for the Tears of Allah sequence as they did like shoot in the Middle East and surrounding areas so you might be able to find footage from one of those films.
 

TheWorld ofJamesBond

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Superman II might be good for the White House stuff, released around the same time so at least for some establishing shots it might be useful. I suspect Canon films might have some good footage for the Tears of Allah sequence as they did like shoot in the Middle East and surrounding areas so you might be able to find footage from one of those films.
The Cannon films are a good thought. I might use the White House wide shot from Superman II with Zod and the others flying over erased out. Everything else from the film is not usable.
 

TheWorld ofJamesBond

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UPDATE - I will truncate the White House Warhead disposal scene. It will go from the establishing shot of the White House straight to the Warhead being located and defused. It's straight to the point.

Secondly, I've abandoned Fatima side ramming Jack's car. I don't think I'll be able to find sufficient footage to make it work.
 

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Here is a preview of the Pre Titles and the Main Title Sequence
Some feedback:
The MGM/UA custom logo looks like a terrible mishmash of the MGM/UA entertainment logos around that time and other MGM logos, I recommend removing it and replacing it with a different MGM/UA logo or just use the 1981 turning UA logo instead.
The gunbarrel transition is also too quick, I recommend having it go to the corner and then the center. Remember, slow down.
The transition from the prologue to the opening credits is jarring, I recommend slowing it down and easing us into the opening credits.
AI text removal looks well done, but the cut from scene to scene in the opening credits feels iffy. the fades are too quick between different cuts needs to be longer.
Hopefully, the feedback helps.
 
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ccateni

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I'll probably keep the angle, but erase the plane from the final shot.

I wish the shot was longer too but unfortunately as per the scene from Bat 21 (1988), the plane's tail is shot off and I didn't want to reveal that. So like I said to asterixsmeagol, I'll just erase the plane from the establishing shot.

I'm fan of NSNA too, it's a pretty underrated film IMO. I just don't like the music score by Michel LeGrand, it's like elevator muzak. The theme song is equally bland and forgettable. I also think that the pacing (while still better than Thunderball's pacing) is still a bit slow in parts. So my intention is to cut out anything that repeats exposition or anything else that the audience ends up learning later. I also want to add more establishing shots, case and point: MI6/Universal Exports. Apart from interior scenes, we never actually see the exterior of MI6 in NSNA. So that will be added, mainly using shots from A View To A Kill and The Living Daylights.

My bad about the spelling haha. I'll fix that.

I love the idea about the blood red titles for the first bit, will definitely use that, thanks for the suggestion!

Thanks, I used Runway. It was part of the reason for making this edit possible.
Which software in Runway? There only seem to be a photo object removal, but not a video one.
 

TheWorld ofJamesBond

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Some feedback:
The MGM/UA custom logo looks like a terrible mishmash of the MGM/UA entertainment logos around that time and other MGM logos, I recommend removing it and replacing it with a different MGM/UA logo or just use the 1981 turning UA logo instead.
The transition from the prologue to the opening credits is jarring, I recommend slowing it down and easing us into the opening credits.
AI text removal looks well done, but the cut from scene to scene in the opening credits feels iffy. the fades are too quick between different cuts needs to be longer.
Hopefully, the feedback helps.
I like the idea of using the 1981 UA logo instead (I'll need an HD source for that). I definitely want use that and put my brief 'A World of James Bond Fanedit' logo preceding it. I'll fix that transition to the title sequence and make it longer. Glad you like the AI text removal, although I have fixed that a little since then, not too much but just to iron out any glitches from one segment.

Only problem with the new title sequence length is I don't have enough footage to slow down the pace and I don't want to slow down the speed either (it will look odd). The song is too short anyway to make it longer.

I'm hoping to post some new clips over the coming weeks to show the progress so far. There's one sequence I'm particularly proud of, the dance between Bond and Domino. I never liked the tango track by Michel Legrand, it always sounded a bit rushed and silly. I have replaced it with a musical cue from the Deadfall (1968) soundtrack by John Barry.
 
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