Kirestananderson01
Well-known member
- Messages
- 51
- Reaction score
- 0
- Trophy Points
- 11
but Welles's film, while maybe not as strong overall in some of the casting, is a towering achievement from a singular visionary.
Vote now in wave 1 of the FEOTM Reboot!
Kirestananderson01 said:but Welles's film, while maybe not as strong overall in some of the casting, is a towering achievement from a singular visionary.
Kirestananderson01 said:but Welles's film, while maybe not as strong overall in some of the casting, is a towering achievement from a singular visionary.
Kirestananderson01 said:but Welles's film, while maybe not as strong overall in some of the casting, is a towering achievement from a singular visionary.
Gaith said:A fascinating Welles primer from the December 7 New Yorker...
TM2YC said:Also, apparently Criterion are busy carefully restoring 'Chimes at Midnight' for release next year. As I noted on the last page, the current release is pin-sharp but it looks totally unrestored, cleaned or graded. So it'll be nice to have an alternate version looking fresh and perfect.
TM2YC said:The crowd funding for Orson's last film continues slowly (10%) and they've added a T-Shirt to sweeten the deal. I've gone for the $150 Blu-Ray/T-Shirt/Art-Book deal.
in a rare move, Netflix is honoring our commitment to you by allowing the production of a limited-edition DVD/Blu-ray, just for our contributors.
the team have confirmed that a 35mm version will be made available for cinematic release.
Earlier this month, we finally locked picture. We’re now out of editorial and into dust-busting, restoration and color-timing… and the sound teams... have been hard at work for months.
I’m enclosing a photo from a color-timing session earlier this week... color-timing a shot from the ‘film within the film.’
Greetings from Malmedy, Belgium, where we’re recording the orchestral part of Michel Legrand’s score for "The Other Side of the Wind."... Michel has been writing since December and it's exhilarating to hear his score come to life.