Read BEFORE posting Trades & Request
TM2YC said:Unfortunately two technical problems need to be fixed before this can be approved...
01.56.46 - Audio glitching sound as we cut to the wake interior.
02.11.51 - 9 seconds of glitching feedback finish out the edit.
TM2YC said:
TM2YC said:This is now on ifdb. Cherry Jolly Ranchers for everybody!
Blipps said:Mr. Blue are you thinking of changing your edit in anyway after zbmp's review of your edit making very good points against your edit...
-A few audio/visual problems in scene transitions (there's an audio glitch in the transition between the two mountain scenes)
I'm not sure what other issues they're talking about, but I know all about that mountain transition. Still though, I could have sworn I fixed that with the latest update. Plus TM2YC never said anything about it. Anyway, if that's still there, then that's a valid complaint and I will cop to that one.
[EDIT: It is still there, and that makes me want to rip my hair out. This is something I've been struggling with since the earliest drafts of this edit. This glitch has no apparent source and does not appear in the previews.]
-Dream sequence was really short and interrupted an integral scene - kind of jarring
The dream sequence was my opportunity to remind audiences of Batman's motivation by intercutting footage of the Metropolis attack as well as reinforcing the whole Martha thing to at least cushion some of the blow when that comes along. Plus the bat monster helped to show that Bruce was not in his right mind anymore, which was echoed in his argument with Alfred in the next scene of my edit. Besides, it's a damn sight less jarring than the Mad Max dream he had in the original version.
-For the dream sequence, I wish there was more of a direct comparison between Superman and the monster (maybe instead it would include Superman and his Batman's parents’ killer)
But Superman isn't the monster. Nor is Bruce conflating Superman with his parents killer. This is just a misunderstanding of the text at play here.
-With scenes about the Capitol Building and Wallace Keefe being cut, I thought Batman fighting Superman would not be a part of Luthor’s plan. Because of this, adding the Martha and Lois Lane kidnapping stuff made no sense to me. Plus, the plot (and his scheme) became way more convoluted.
I could not disagree more. If anything Luthor's plot becomes more streamlined without all that Washington DC guff thrown in to muddy the waters. As for the titular fight, it's pretty clear that Batman is against Superman, especially when he steals the Kryptonite [which Luthor had intended for use against Superman, a being he could not trust]. So he forces Superman into a deathmatch. He kidnaps Lois to get Superman's attention, and kidnaps Martha to blackmail him. These are important elements leading up to the fight, especially since (despite my dearest wishes to the contrary) Martha is the whole reason their fight ends.
-Lois’ “don’t I know you” makes no sense without the Africa subplot
I'll cop to this one too. But there was no way I could remove it with the way it was shot. That's what the whole scene of her being kidnapped revolved around and if I cut that scene then she's just on board Luthor's helicopter for no reason. So I had to decide which hurt more: One line that makes no sense, or a massive sequence that sets up a subplot my whole edit was designed around deleting. It's a fair complaint, but I stand by my choice, even if that one scar remains.
-Lois and Lex have no relationship with each other, so the tension for the scene on top of Lex's building comes out of nowhere
It's just Lex rambling as he always does during his buildup to throwing her off the building. Furthermore it's during this ramble that he explains why he kidnapped her. To get Superman to save her so he can talk to him. It's not meant to be a tense scene in my edit, just a purely utilitarian one, and besides that, even in the original film it didn't exactly do very well with tension.
-Don’t love the vocal delay/background voices when Superman gets hit with Kryptonite gas
Well, I do, and I'm the editor. Umm... na na na na na, I suppose. No, but seriously, I felt it gave a more noticeable sense of the effect that Kryptonite had on Superman, making it seem more like Batman was playing dirty and getting the audience to empathize with Superman just a little bit during this sequence.
-How does Superman know Lex is in the scout ship?
Presumably the giant bolts of electricity arcing off of it. Not good enough for you? Well the movie gives no better explanation so I really can't fix that without gathering the crew for reshoots.
-Wish you kept “she with you” banter - establishes that these three have no former connections
I get that some people liked this line, but it was still out of place. Besides, I don't think it's really all that necessary to establish a lack of connection between characters, especially when one has spent the entire movie as a mystery woman that the other is mildly curious about, with the third in the trio having no interactions with her whatsoever up until this point even in his own stand alone movie.
-Without some form of Lois' plot, Lex wouldn’t be going to jail
The big monster that rampaged through the city came from the crashed ship and while a swat team was investigating the thing they just so happened to find Lex Luthor standing in a pool of blood communing with the image a giant alien monster... I think that's grounds for a conviction. I'm sorry, I don't want to be a jerk about this but this is a really dumb complaint.
-Not sure if Batman and Superman's motivations are completely justified without the exposition that was cut
I'm not sure what exposition this guy thinks was cut, but honestly I did the best I could, shifting all of the focus of Clark's scenes over to investigating this insane Bat vigilante who's been terrorizing poorer neighborhoods, and including brief flashbacks to the Metropolis incident during Bruce's dream sequence to reinforce Batman's very clear motivation for not liking Superman. The problem cannot be fully removed, but what I tried to do was make it less noticeable at the very least.
-During the fight scene, there needs to be more of a reason for Superman to suddenly want to fight Batman rather than negotiate
Take that up with Snyder. I did what I could by tightening the scene and making Batman's attacks seem more like an unrelenting onslaught, not giving Superman the chance to speak, thereby making the moment when he loses his patience and starts actually fighting him seem a little more justified. Beyond that, it's a problem my edit shares with both versions of the film, and there is nothing a mere fan editor can do to change that without getting really crazy with effects.
So all in all, while he raised a couple of valid points which I genuinely regret not having addressed earlier, I simply cannot agree with this gentleman's assessment of my edit, and given the nature of his complaints, I don't think he's going to find a lot of fanedits he'll enjoy on this site.