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Duragizer said:Wes Anderson's on the verge of becoming a new favourite of mine. Gonna have to watch a couple more of his films before I can be sure, though.
Masirimso17 said:I watched Fantastic Mr. Fox when I was a kid but I can’t remember how it was because it was a long time ago.
More recently, I watched The Royal Tenenbaums which I thoıght was a good movie with a very unique style, which I enjoyed very much. This film pretty much introduced his style to me and I really love it.
I still haven’t gotten around to seeing The Grand Budapest Hotel. I did see the beginning of the movie when I was 15, but I wasn’t in the mood to watch a movie and the film didn’t grab me at that moment. But from what I recall from the beginning, I’m sure I’ll like it a lot when I finally get around to watching it.
thecuddlyninja said:King is welcome to his opinion, as is Bob, for me it's a hell of a gut punch. It's a sickening ending, unimaginable. It makes me feel strongly in a way that few other movies have, and I love that.
This might just be Fincher's masterpiece. It's not my favourite of his works, but I think it's a film that's as great as it could ever be.
Whereas, say, Fight Club could be improved by adding some more clues, subtleties, and realism to the "twist" - or even just "modernizing" the CG - Se7en executes all of this perfectly, it's a film that only improves on a rewatch (a case that could be made for any great noir/thriller - anything with a "twist").
Most everything in this film holds so much more weight when you see where it's going; when you're able to read between the lines, in the background, for more information. And doing so certainly pays off.
This time 'round, I watched the CCEHD re-grade of the film - which further emphasizes the noir elements Fincher expertly experiments with here. Seriously, I'm sure you could watch this in B&W and get roughly the same, if not a better (or at least more interesting), experience with it.
So why not five stars then, Mac? Why just four-and-a-half? Well, Se7en is flawless, its a masterpiece in every regard as far as I can tell, but the "cool-down" for it is pretty quick. I appreciate everything in it, but I don't adore it, or even elements of it, the way I do Fincher's other work: the dialogue in The Social Network, the comedy and satire of Fight Club, the journalism and characterization/arcs in Zodiac (not to mention the genius technical work). Maybe this'll change on a rewatch, or maybe I'm just plain full of shit.
It's done.Wes Anderson's on the verge of becoming a new favourite of mine. Gonna have to watch a couple more of his films before I can be sure, though.