- Messages
- 64
- Reaction score
- 87
- Trophy Points
- 38
TLDR: ROGUE ONE (2016) CUT INTO AND RESCORED IN THE STYLE OF AN ANDOR (2022) ARC.
What it says on the tin, pretty much. Andor brainrot has had me this past year, it’s genuinely become one of my favorite shows of all time - to the point I joke about being an Andor fan more than I am a fan of Star Wars itself. This edit is kind of an expression of that with a movie I generally really liked - moving its energy from emulating the jaunty, swashbuckling OT, to more in line with its prequel show’s feel.Up front, I don’t actually think this elevates or changes Rogue One in any meaningful way. The movie is still the movie, still fast paced and action oriented, particularly compared to Andor’s fiercer, slower, and paranoid ethos. But I do think the elements Andor is rooted in become far more apparent foregrounded to this soundtrack. Where the movie somewhat failed to recapture the energy and excitement of traditional Star Wars (and not for lack of Giacchino effort), the places where it takes itself seriously should now feel less dissonant in a [tonal] context that seriously considers them.
If nothing else, it’s just fun to have the show and movie connected via the same musical motifs and format!
EPISODE 1: “JEDHA”
Starts from the Lah’mu sequence, up to Cassian, Jyn, and co. flying out from the destruction of Jedha City.- Some of the long opening shots of Krennic flying through space down to the planet are cut. The Andor opening titles are already pretty lengthy and serving the kind of build up those were originally intended for.
- I cut off Jyn’s childhood sequence before Saw comes to find her in the hatch, to facilitate a hard cut time skip transition (similar to the Kenari ones we had of Cassian). Who Saw is to Jyn is elaborated on some scenes later anyway, and the same imagery pops up in a flashback further on too.
- A couple reaction shots of Jyn at the Yavin holotable have been removed/replaced with unused shots from the trailers to facilitate how the scoring is different.
- For similar reasons to the above, removed the pregnant pause in Tarkin’s introduction, trimming some of the more redundant dialogue in the process.
- No Bor Gullet scene.
- Some egregious easter eggs on Jedha removed.
EPISODE 2: “STARDUST”
Starts from Tarkin taking the Death Star project from Krennic, up to Jyn and Cassian walking onboard the stolen shuttle to go to Scarif.- Includes Previously On recap of “Jedha”
- Completely cut the Darth Vader scene on Mustafar, moving in its place a later scene where Krennic starts to look over Galen’s communications on Scarif. It was a functionally redundant scene anyway, but it also just doesn’t feel like Andor.
EPISODE 3: “ROGUE ONE”
Starts from Rogue One pulling away from Yavin, up to Jyn and Cassian embracing as they are engulfed in the death cloud.- Includes Previously On recap of “Stardust”
- Again, the Vader and Leia scene immediately pull us away from the perspective Andor usually takes, and are mostly redundant, so it just felt right to leave them out. Post-credits though…
CLIPS
Cassian’s IntroCassian Speech
Recap of Ep 1 (In Ep 2)
Recap of Ep 2 (In Ep 3)
SOURCES USED
Rogue One: A Star Wars StoryThe Shamook Deepfakes of Tarkin + Leia
Andor Soundtrack by Nicholas Britell
The King Soundtrack by Nicholas Britell
She Said Soundtrack by Nicholas Britell
The Little Drummer Girl Soundtrack by Jo Yeong-wook
The Expanse Season 2 Soundtrack by Clinton Shorter
Assassin's Creed Unity Soundtrack by Sarah Schachner
Call of Duty Modern Warfare II Soundtrack by Sarah Schachner
Call of Duty Vanguard Soundtrack by Bear McCreary
Elysium Soundtrack by Ryan Amon
So generally - these are [kind of] done, but with the nature of the work to do an edit like this, I actually haven’t spent too much time reviewing and just pushed through to complete its concept. I truly do not know how any of this all plays together. So feedback / another pair of fresh eyes would still be greatly appreciated - any technical things I missed, ideas you might have, or critiques of the music choices. It isn’t all just Britell’s Andor soundtrack here, there is some stuff from adjacent [hopefully obscure enough to not be recognized] sci-fi / historical / thriller shows and movies. I won’t rule out that there are better choices than the ones I landed on, super zoomed into an NLE timeline, taking it one scene at a time. Thanks for checking out if you do!
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Chase Adams (OT.com)
Hal 9000 (OT.com)
RogueLeader (OT.com)
futon88 (FE.org)
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