- Messages
- 2,138
- Reaction score
- 239
- Trophy Points
- 93
I’d love an HD remaster of this edit with the new 2017 EE master. I would advise that you keep the scenes that you feel are necessary to the narrative or adds something significant. Otherwise don’t extend just for the sake of extension. That’s what I think anyway.
If you keep time travel, there’s still the issue of; “why didn’t he go faster before to catch the missiles?” (Maybe it was his anger, but it then feels selfish that Supes couldn’t go fast enough to save people, but could to save only one person he loves. I dunno) And also the fact that going back in time somehow resolves everything without any further action.
Personally I’m fine without any turning back time. Simple victory from Superman, simple ending. This “forbidden to interfere” theme from the Reeve movies didn’t go anywhere anyway. Supes just gets what he wants with no consequences. Confusing.
In my opinion you should keep the “Feed the Babies” scenes. I like them very much, they add to Lex’s much needed darkness, gives closure to Tessmacher and shows what Lex does to her. Yeah, she returns in II but this is a simple case of loving the bad guy. What was it called, Stockholm syndrome or something like that?
If you keep time travel, there’s still the issue of; “why didn’t he go faster before to catch the missiles?” (Maybe it was his anger, but it then feels selfish that Supes couldn’t go fast enough to save people, but could to save only one person he loves. I dunno) And also the fact that going back in time somehow resolves everything without any further action.
Personally I’m fine without any turning back time. Simple victory from Superman, simple ending. This “forbidden to interfere” theme from the Reeve movies didn’t go anywhere anyway. Supes just gets what he wants with no consequences. Confusing.
In my opinion you should keep the “Feed the Babies” scenes. I like them very much, they add to Lex’s much needed darkness, gives closure to Tessmacher and shows what Lex does to her. Yeah, she returns in II but this is a simple case of loving the bad guy. What was it called, Stockholm syndrome or something like that?