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PARANOIA
“Let’s go home, Truman. Where it’s safe.”
A Truman Show fan-edit in the style of a Hitchcock/Lynchian thriller.
“Let’s go home, Truman. Where it’s safe.”
A Truman Show fan-edit in the style of a Hitchcock/Lynchian thriller.
The intention of this fan-edit is to reimagine Peter Weir’s classic The Truman Show (1998) as a paranoid thriller. All explicit references and evidence to the viewer that Truman is part of an elaborate reality show centered around his life have been removed. By removing the dramatic irony of knowing what’s going on behind the scenes of Truman’s life, the viewer experiences first-hand Truman’s growing paranoia as he begins to suspect the world around him is not what it seems.
password: fanedit.org
The film has been completely rescored to feature the music of Bernard Herrmann, sourced from Vertigo (1958), Psycho (1960), and Taxi Driver (1976). A piece by John Barry is also used.
The edit incorporates extensive color correction to the film, fluctuating between a high-contrast black and white filter for “hidden camera” shots and a partially film-faded “Technicolor-esque” filter for the rest. The intention is to invoke both the classic colorful look of old Hitchcock films like Vertigo (1958) and the more postmodern look of films like Eraserhead (1977) or Pi (1998), all while evoking the frantic intercutting between the two ala Oliver Stone’s Natural Born Killers (1994).
The idea for this project came while I was rediscovering some Hitchcock classics. I had already been interested in doing a version of The Truman Show without the behind-the-scenes elements (there are one or two similar projects floating around on the internet), but the project came into focus after comparing The Truman Show to classic Hitchcock themes and better understanding the terrifying and bizarre reality in which Truman exists.
Original Running Time:
103 minutes
Fan-edit Running Time:
73 minutes
Time Cut:
30 minutes
Last edited: