• Most new users don't bother reading our rules. Here's the one that is ignored almost immediately upon signup: DO NOT ASK FOR FANEDIT LINKS PUBLICLY. First, read the FAQ. Seriously. What you want is there. You can also send a message to the editor. If that doesn't work THEN post in the Trade & Request forum. Anywhere else and it will be deleted and an infraction will be issued.
  • If this is your first time here please read our FAQ and Rules pages. They have some useful information that will get us all off on the right foot, especially our Own the Source rule. If you do not understand any of these rules send a private message to one of our staff for further details.
  • Please read our Rules & Guidelines

    Read BEFORE posting Trades & Request

Lord of the Rings: The Return of the King Feanor Edition

I checked this out.
Thanks for sharing this.

Unfortunately, it doesn't work for me.
The montage is very confusing.
Without the Dunedain army, the ships only contain the three hunters.
The montage seems to imply that these three won the battle.
The unfamiliar music pulls me out of the narrative.

I think that you should just limit the three hunters to having eliminated the threat.
The end of the battle will not be seen, but rather implied.


  • Eowyn sees Theoden die. It is clear that the battle is dying down.
  • The Corsiar ships arrive. New threat? The three hunters jump out illustrating that there are no enemies on board. Cut.
  • The Pyre of Denethor.
  • The battle is over. Men search the field and Pippin finds Merry.

The cut from the three hunters to the pyre of Denethor is awkward.
It needs an establishing shot for the Tombs.

The mood needs to be preserved here, and that means replacing the music when the three hunters leap from the ship.

See what you think.
 
I don't know if you saw a newer version than the one that I did. I think a lot of your criticism is warranted, though I don't agree with some of it. I can't speak for muka... but we can entertain a debate/discussion and brainstorm stuff out.

The lack of an army supporting the Three Hunters is certainly problematic. However, symbolically, in essence, it really is the unfurling of the standard and the westerly wind that mark the change of tide in the battle.

Let's look at what happens in the book (from memory):

1. Rohirrim show up. They overrun the entire northern flank of the Morgul army, but can't win the gate.
2. Theoden and his guards face Southrons. Theoden kills their chieftain, his guard is all slain, and a dart kills Snowmane.
3. Eowyn faces the Witch-King who is defeated. Eowyn falls in a swoon in the midst of the battle.
4. Eomer catch up to see Theoden killed, then he spots Eowyn and goes mad.
5. Eomer charges in his fury, but quickly finds himself and his guard entirely surrounded. He dismounts to prepare for a last stand on the hill.
6. Reinforcements from Minas Morgul.
7. Westerly wind (symbol of the Vala Manwe) breaks the Mordor shadow and brings the fleet of Corsair.
8. Everybody loses hope. But then Arwen's banner pops up.
9. Sortie from Minas Tirith headed by Imrahil. Dunedain kill oliphaunts and fight off Easterlings. Aragorn and Eomer meet.
10. Mordor army is overrun and driven to the Anduin.

Now, a thing about a battle is that it's pretty easy to reorder footage coherently and reconstruct an entirely new narrative. We have lot's of footage and we have to know what to do with it. The objective of course is to be as true to the book as possible.

The song that was used was a Christopher Tolkien-sanctioned artist rendition of the song Tolkien wrote to end the narrative. You do not get closer to the book than with its inclusion. In my opinion, it is beautiful and tremendously haunting, and, yet, necessary compared to any of the lyrics present in Shore's soundtrack, no matter how good it be. I will admit that I criticized the execution of the song - as in the cue for its start. It feels out of place and inappropriate contextually. All you have to do is find a different shot to start it and it'd be amazing. Just imagine the final "...Red" with the bird's eye shot of dead Theoden and Snowmane. Great potential.

Also, you can manipulate the shots of the Rohirrim to focus on them driving the orcs to river as part of the dominating narrative of the montage. You just need to time Eomer's "drive them to the river" and the ensuing Rohirrim charge correctly and it'll work.

That leaves us with the issue of the army. A potential solution, though difficult if not impossible, would be to simply use footage from another film and implementing it. It would be reasonably inferred that the army on the ships is battling in the background while we focus on the Three Hunters as is Jackson's method actually.

In your proposed solution, I can't see how you are dealing with the confusion. In fact, the viewer may end up not only terribly confused, but very unsatisfied. Furthermore, you would be reducing the irony and tragedy of the suicide of Denethor. What the book did that was much better than the movie was that Denethor kills himself AFTER the battle is won - which is what makes it not only so sad, tragic, but ominous when he says,"you may have won on the field of battle for a day, but against the power...". It hammers the point to the viewer that the battle isn't any victory in and of itself and only allows for the temporary survival of Minas Tirith. It sours any happiness the viewer has because you then realize that it all depends on Frodo - then at the Black Gate you learn that Frodo's been captured and Sauron has the ring - a masterstroke if I've ever seen one when it comes to the narrative and really emphasizes the information/intelligence aspect of the plot almost totally absent in the movie.

The montage simply accomplishes so many things in my eyes at least.
 
Thanks for your point of view. It's challenging.
I did not know what that music was. Thanks for telling me.
It sounds like a great idea, but the unaccompanied choir doesn't meld at all with the orchestral score of the film.
Very jarring. Pulled me right out.
The slow motion is also uncharacteristic.
I understand that the effects are incomplete, but I can't ignore what's going on in the background.

Muka asked for feedback on whether this works or not. I think it doesn't work.
It's not bad by itself. It doesn't work because in many ways it doesn't match the rest of the movie.

The available movie footage doesn't include key material to represent what happened in the book.
  • No indication that the Rohirrim can't win the gate.
  • No fighting rage from Eomer when he sees Eowyn.
  • No enemy reinforcements arrive.
  • No wind change is depicted, no Arwen's banner.
  • No Dunedain army.

The movie format requires major streamlining, and the omission of most of these details of the battle is OK. But the major annoyance for all of us is that the Dunedain are absent, and the army of the dead show up instead. Even this would be forgivable streamlining by the movie makers, if the dead army wasn't portrayed like green scrubbing bubbles, and another battle ending miracle that can only be used once. It's like something out of an RPG.

But the solution to eliminating the dead army cannot be to show the three hunters win the battle by themselves instead. It makes zero sense.

The solution has to be made within the context of the movie story.

Here's what I see in the movie: Both sides have sustained heavy losses. Eowyn kills the Witch King. We see the enemy being routed in the background! Killing the Witch King = Victory. All that is left is to clean up. There appears to be plenty of good guys left to do the job. (Evidenced later by the size of the army that Gondor sends to the Black Gate.) But Aragorn has to rejoin the story here.

I though about it some more and realized that in the movie, the whole point of Aragorn's side quest was to fetch an army.
If he shows up without an army, it is a HUGE problem.

I re-cut this a few different ways, and the way that works best for me is:

The witch king is killed. In the background, the enemy is being routed.
Theoden dies. Things are getting quiet on this part of the field.
We see that there are still some enemies left on the docks and the Corsairs are arriving.
Aragorn & Co. jump out and the dead army is behind them as they advance.
We do not see them walk on water or fight at all.
Cut to Gandalf smashing down the door of the tombs.
Denethor says that the battle is won. (And he doesn't even know that Aragorn & Co. showed up.)
After the pyre, we go back to the field and see that Denethor was right, the battle is over.
Aragorn releases the dead. Then he turns to see Gandalf and Pippin arrive on the field.

In this way the dead army shows up to help as promised.
The dead army is implied to have helped finish the battle, and that's enough.
 
Thanks for the comments Ayreonau. I was concerned that the resulting scene could be to jarring as you feel it.
To me, when Aragon and co jump off the boat, it's more like they are triggering the moral of the rohan (and in that point they start to fight harder) rather than defeat the army just the three of them.
 
Ayreonaut said:
Thanks for your point of view. It's challenging.
I did not know what that music was. Thanks for telling me.

:) No prob.
It sounds like a great idea, but the unaccompanied choir doesn't meld at all with the orchestral score of the film.
Very jarring. Pulled me right out.

I believe you, but perhaps it's either a matter of taste or habitude; the original score is filled to the brim with choirs (see Nazgul theme for example).

The slow motion is also uncharacteristic.

Eh, I can't agree about that - it is a recurring Jackson device. The overlong Frodo agonizing slow-motion shot after he gets "impaled" by the troll-spear definetely comes to mind. It was also used numerous times at Helm's Deep - when Legolas pulls out his knives, the death of Haldir, the final winning charge by Gandalf and the Rohirrim - the latter being a DIRECT parallel to what muka is doing.

I understand that the effects are incomplete, but I can't ignore what's going on in the background.

Muka asked for feedback on whether this works or not. I think it doesn't work.

I have shown it to my friends and some family and opinions are pretty split - some liked it, some didn't. I think opinions would shift if the sequence was in the movie rather than a short clip. Furthermore, I would just like to reiterate that your feedback is totally warranted - I'm only taking a contrary position because either I disagree on a couple of points or I'm trying to develop new ideas for muka.

It's not bad by itself. It doesn't work because in many ways it doesn't match the rest of the movie.

The available movie footage doesn't include key material to represent what happened in the book.
  • No indication that the Rohirrim can't win the gate. No, there is a shot where you see the Rohirrim having clearly overrun the northern flank but still being far away from the gate. Enough visual information there to be consistent with Tolkien's description without spelling it out.
  • No fighting rage from Eomer when he sees Eowyn. This can be easily rectified by displacing the shot where Eomer sees his "dead" sister to happen during the battle and then using shots of Eomer's battle fury (think the shot where he grabs a spear from somebody else) and you got it.
  • No enemy reinforcements arrive. Not very important in the grand scheme of things, but you can still use the shots of the orcs crossing the Anduin with make-shift bridges to depict this.
  • No wind change is depicted, no Arwen's banner. That's why I suggested that the banner that unfurls during the Boromir-Faramir dream sequence be used. It would be perfect.
  • No Dunedain army. No Dunedain army :/.

The movie format requires major streamlining, and the omission of most of these details of the battle is OK. But the major annoyance for all of us is that the Dunedain are absent, and the army of the dead show up instead. Even this would be forgivable streamlining by the movie makers, if the dead army wasn't portrayed like green scrubbing bubbles, and another battle ending miracle that can only be used once. It's like something out of an RPG.

But the solution to eliminating the dead army cannot be to show the three hunters win the battle by themselves instead. It makes zero sense.

Right.

The solution has to be made within the context of the movie story.

I agree with your line of thought.

Here's what I see in the movie: Both sides have sustained heavy losses. Eowyn kills the Witch King. We see the enemy being routed in the background! Killing the Witch King = Victory.

Except we lose very significant things from Tolkien's description. The bulk of Pelennor's Field happens AFTER the death of the Witch-King rather than before. Tolkien explicitly explains that, despite the tremendous setback of the loss of Sauron's captain, Gothmog, Lietenant of Minas Morgul, was still in command. You don't get the necessary Eucatastrophe that is a FUNDAMENTAL element of Tolkien's writings - how out of the darkest hour comes unexpected victory - and that is only possible by showing certain victory with the approach of the black ships.

All that is left is to clean up. There appears to be plenty of good guys left to do the job. (Evidenced later by the size of the army that Gondor sends to the Black Gate.) But Aragorn has to rejoin the story here.

I though about it some more and realized that in the movie, the whole point of Aragorn's side quest was to fetch an army.
If he shows up without an army, it is a HUGE problem.

Actually, in the "movie-verse", at least half of the motivation are Gandalf's warning of the "Corsair ships" and Elrond's of the "a black fleet". However, I do agree that the lack of an army is quite an issue. This is rectified in two ways: either you add shots of people running around aboard a ship from some other movie (viable, but ill-advised) OR make the overthrowing of the Corsair a strategic and necessary decision that becomes the motivation for Aragorn's trip. This is why muka changed it to having the corsair ships on the Palantir. The whole point of his edit was to show that Aragorn went to the Paths of the Dead to take out the Corsair ships because nobody knew otherwise that they were coming. I think it can work out narratively just fine with the way it's been set up.

I re-cut this a few different ways, and the way that works best for me is:

The witch king is killed. In the background, the enemy is being routed.
Theoden dies. Things are getting quiet on this part of the field.
We see that there are still some enemies left on the docks and the Corsairs are arriving.
Aragorn & Co. jump out and the dead army is behind them as they advance.
We do not see them walk on water or fight at all.
Cut to Gandalf smashing down the door of the tombs.
Denethor says that the battle is won. (And he doesn't even know that Aragorn & Co. showed up.)
After the pyre, we go back to the field and see that Denethor was right, the battle is over.
Aragorn releases the dead. Then he turns to see Gandalf and Pippin arrive on the field.

In this way the dead army shows up to help as promised.
The dead army is implied to have helped finish the battle, and that's enough.

Except it's still a horrible deus ex machina...

in bold
 
Wikipedia says "Eucatastrophe is a term coined by J. R. R. Tolkien which refers to the sudden turn of events at the end of a story which ensure that the protagonist does not meet some terrible, impending, and very plausible doom. [It] fits within the established framework of the story, whereas the deus ex machina suddenly and inexplicably introduces a character, force, or event that has no pre-existing narrative reference."

I'll accept this distinction. In the movie, when the dead army shows up to win the battle, it is a "eucatastrophe" because it has been established. (If a hitherto unknown army of Dunedain were to show up inexplicably, it would be "deus ex machina.") I think that the best "eucatatrophe" that the editor can portray with the available material includes the dead army arriving at Pelennor.

Can this be done better than the original? Certainly. The movie does not make it clear that the death of the Witch King is anything less than victory. The arrival of Aragorn & Co. feels tacked on. The dead army clears the field in 45 seconds or so.

Perhaps events can be shifted slightly so that the death of the Witch king comes a bit earlier and it can be made more clear that the situation is still dire after his death. Perhaps the impending arrival of the Corsairs can be reinforced, so that we feel the threat for more than ten seconds.
 
AUDIO/VIDEO QUALITY: 10
VISUAL EDITING: 9
AUDIO EDITING: 10
NARRATIVE: 8
ENJOYMENT: 8

Would you Recommend: Yes
Format: 720p

The Review:

Let me start by saying that I am not a Tolkien "purist" in terms of the movie - Some creativity is ok if it makes the adaptation better.

When the Return of the King movie first came out, I was expecting a lot from it. The theatrical cut was ok, but it had some annoyances and clearly left out some bits, so I was eagerly waiting the extended edition. Unfortunately almost all the additions in the extended version just let me down.

Feanor Edition corrects this to a major degree. All the things that annoyed me in PJ's versions are cut/changed. Visual and audio editing is excellent, save a couple of scenes where I could tell it's not "original".

This came close to being a perfect version of the movie, which I would some day still like to see. Unfortunately there is one major issue I have with this edit that takes away from my enjoyment. Still, Feanor edition is good, and I recommend to watch it.

-- SPOILERS AHEAD --

I am going to shortly describe things that caught my eye when viewing this.

1. Saruman: this is just perfect.

2. Changes to Denethor: very good.

3. Lighting of the beacons: I felt this could have been better. Now the viewer does not know what they are. I think in their first appointment, Gandalf could have asked Denethor to "call for aid from Rohan by lighting the beacons" and that would have established what the beacons are. When Denethor "lights them", the cut is kind of too quick. Also in Rohan it was cut a little too short - I would have liked to see Aragorn's line "the beacons are lit, Gondor calls for aid". And Theoden's "And Rohan will answer".

4. Drinking game, Gimli jokes etc cut out - very good.

5. Aragorn viewing the Palantir: This scene is very well made. It was so good I thought that in the original he also handled the palantir in the tent (had to check that)! Also I think what the palantir reveals to him is a very good idea...

There is just one big problem. This scene sets the biggest issue I have with this edit: No reforging of Narsil to Anduril, Aragorn just has it in the scene. I know that in the books he gets it already in Rivendell, but it just wont work even if edited in the movies, because we see him so much with the other sword throughout the trilogy. There is just no other way than Elrond (or if somenone could edit it to Elronds son) bringing it to Aragorn in ROTK (Their dialogue could be trimmed though) - it just fits so well into this movie (and in the book he gets the Flag made By Arwen, this would symbolise that). That would also mean the palantir should most likely go back where it is in the original version... It would still be great though if Aragorn would 'win' the palantir confrontation - like he does in this edit.

6. A little related to the previous, we see Arwen only in the end of the movie, I think it would be good to show her earlier too (Aragorn dreaming, reforging of the sword scene?).

7. Paths and Army of the Dead: good cut, we don't know if they join the fight or not untill Pelennor

8. Sam vs Gollum in front of Shelobs lair: Very good cuts story wise! However I could see they were "fan made" (or maybe I just remember the original it too well).

9. Gandalf vs Witch King: Excellent!

10. Denethors death: Good cuts!

11. Legolas stunts with the mumakil is out, good.

12. Eowyns fight with the Witch King... I would have liked this to be longer (He is so cool), but not a big deal.

13. The ugly orc chief does not get too much screen time - good

14. House of Healing cut out a little too short... We don't see Faramir with Eowyn (I remember they met there in the book?) - why this cut?

15. Saurons mouth at the gate: Good adaptation - No head cutting! This was an issue for me in PJ's version. I would still kind of like Gimli's line "I guess that concludes negotiations" in the end, I think it fits here. It would be great if this scene could be made like in the book, Aragorn just staring him down, but I guess there is no way.

Just an idea that popped into my mind writing this: Cut out Sauron's mouth at the gate alltogether, make him show Frodo's shirt and the confrontation between him and Aragorn inside the palantir in the scene where Aragorn is viewing the palantir!

16. The farewells still feel long, but I guess there is nothing you can do about it.

I just hope I was as skilled as Mukankakuna, or even had any skill so I could make my own "perfect" version. In the meantime, this will probably be my go to version.

P.S. Tried to post this review onto the site but I got a "token error". Is it too long? Edit: nevermind figured this out, No spaces as first letters.
 
Thanks for your review, Pekkias.
Let me comment about the Narsil issue. The idea around this sword is to make the delivery in the first movie, in Rivendel. By the way, there is an edit that do this. The author is frodolives but I haven't had the chance to see the edit, just some pictures, because it's not available. Anyway, the idea is to do it in Rivendel but the sword will remain a problem because you can notice that Aragorn brings another sword until dunharrow. Said that, I think it should work fine, do the trick, for most of the viewers, althought it will be an issue through the movies.
About the "Lighting of the beacons" I tried to let some Gandalf scenes in which he explains about it but some problems arose. The most important is the way Theoden is shown. He behaves in a way that I'd been avoiding through the edits.
 
Is this still available? I don’t still have it and would like to take another look at it!
 
I remember downloading the Feanor edition for Two Towers way back. Ah, memories...
 
I wish they had finished the trilogy. Right up there with Sharkey's edits in quality.
 
Back
Top Bottom