THANK YOU to
@MusicEd921 for his review.
In regards to using the John Williams/Hans Zimmer mixed theme for the Kryptonian Ship scene, this was again a very deliberate choice. In the Whedon cut, cues of the Williams theme appear much earlier, during the monument fight between Clark and the League. To me this felt like a complete misuse of that theme. Thus, I went with the Holkenborg score, which was much darker and matched the tone of the moment better and kept the Williams stuff in my back pocket until the moment Clark has to choose his future. In many way, this new mix score represents my transitioning Superman from his darker Snyder roots to the more hopeful version I grew up with.
Now I may be misinterpreting this, but for me, when Clark chooses the Black Suit, he is choosing his Kryptonian heritage over Humanity. This is something MY Superman would never do.... at least not in the context that is presented in the Snyder Cut. It is one of the reasons I prefer the Whedon third act and went in that direction. Sadly, the price for redeeming Superman is Flash's big hero moment.... which I admit, sadden me as I love the Scarlett Speedster... even one as annoyingly portrayed by Miller. Thankfully, I was able to sneak in Grant Gustin.
Glad to hear that Joe Esposito's "You're The Best" worked for you. Originally I was going to go with Bonnie Tyler's "Holding Out For a Hero", but that felt so over done. I put the Karate Kid classic in on just lark and was happily surprised at how well it synced up with the action and brought a fun new dynamic energy to the scene.