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The shortest version of 2001 I've ever seen is 75 seconds.I've always wanted to edit 2001 A Space Odyssey into something leaner that more closely resembles either the Arthur C Clarke book that was written alongside the screenplay, or how people remember the film as being (eg, having the "bone throw / orbital nuke" sequence mickey-mouse to the music). I know there's at least one edit that pares the whole movie down to about 80 minutes, but my aims would be slightly different.
I’ll give my standard response. A big part 2001’s point is the slow, emptiness emulating space travel and suggesting the vastness of the solar system, let alone the galaxy, let alone the universe. You could probably edit Stalker down to half hour, but while the story could remain, the essence and the beauty of the original would be completely lost.I've always wanted to edit 2001 A Space Odyssey into something leaner that more closely resembles either the Arthur C Clarke book that was written alongside the screenplay, or how people remember the film as being (eg, having the "bone throw / orbital nuke" sequence mickey-mouse to the music). I know there's at least one edit that pares the whole movie down to about 80 minutes, but my aims would be slightly different.
I’ll give my standard response. A big part 2001’s point is the slow, emptiness emulating space travel and suggesting the vastness of the solar system, let alone the galaxy, let alone the universe. You could probably edit Stalker down to half hour, but while the story could remain, the essence and the beauty of the original would be completely lost.
I took a look at this one with editor's eyes to see if Rooney could be completely removed, but unfortunately doing so causes a plot hole: how to justify Holly getting arrested without his intervention?Breakfast at Tiffany's (1961), watching this movie always disappoints compared to my memory of it. And Rooney's Japanese is awful.
Edits don't need to be replacements for the originals per se; I love the original and wouldn't change a thing if I was in charge of making an official rerelease of the movie, but, I always enjoy alternative "what if"s of my favourite movies to see them in fresh new ways.I’ll give my standard response. A big part 2001’s point is the slow, emptiness emulating space travel and suggesting the vastness of the solar system, let alone the galaxy, let alone the universe. You could probably edit Stalker down to half hour, but while the story could remain, the essence and the beauty of the original would be completely lost.
Perhaps the Flash Gordon or Buck Rogers serials? Cut them down to a feature length film? Has that been done before?
I have an unreleased rough draft of the first one cut to movie length. I wanted to do something a little more than just trimming it down, like maybe change the music up, but couldn't fully decide on something. One idea was to use the Giacchino Star Trek score, but I wasn't sure if that was too recognizable that it would take you out of the movie.Perhaps the Flash Gordon or Buck Rogers serials? Cut them down to a feature length film? Has that been done before?
I looked at Buck Rogers, because of course I did, and decided against editing it.Perhaps the Flash Gordon or Buck Rogers serials? Cut them down to a feature length film? Has that been done before?
Ooh, I like Thief quite a bit but I haven’t thought about it in years. When I lived in Chicago in my late 20s, I used to go to the Green Mill (that they pretended to blow up) all the time to see late night jazz. I’d love to see an edit. I think the idea of Comfortably Numb is great so long as it’s just the solo with no vocals. Do it!My wife and I recently watched Michael Mann's hugely celebrated Thief, and despite enjoying a lot of his movies, especially Heat, she found the pacing unbearably slow. I didn't mind it so much, but there were a few scenes where I found things dragging (e.g. the lengthy scene in the diner).
I also thought the final scene was just begging for someone to replace the score with Pink Floyd's Comfortably Numb. That searing guitar solo would finish that movie off brilliantly, at least in my head. Curious to see how it would work in practice, but I'm guessing that would require a *lot* of sound effects replacement.
I've been really impressed with new developments in the audio world in terms of separating layers, like how Spectralayers or RX can split out a single stereo file as drums/bass/vocals/everything else. I'm hopeful that further refinements in that field will make dialogue and sound effects isolation a breeze!
👀 It might make for an I teresting twilight zone episode trimmed and ending without the resolution. Personally I think it's a perfect movie as is.I've always thought It's a Wonderful Life (1946) could use an edit. It's paced very slowly and takes forever to actually get to the famous bits. Haven't given it a shot myself yet.
👀 It might make for an I teresting twilight zone episode trimmed and ending without the resolution. Personally I think it's a perfect movie as is.
👀 It might make for an I teresting twilight zone episode trimmed and ending without the resolution. Personally I think it's a perfect movie as is.
Well, this sounds like a challenge! Will report back when I re-watch the film.Yeah, I rewatched it recently and I thought it was pretty much perfect. Holds up very well.
It probably would work very well for a Twilight Zone edit, though somehow it feels wrong to take such a good-hearted film and give it a dark twist!