Thanks for taking the time to review it. This was intended as a bit of fun and to see what I could do with 3 very different films. It would be truly impossible to make an absolutely perfect edit with this (unless you reduce it down to about 11 minutes)
elbarto1 said:
Pros:
I loved the American Psycho intro w/ Megadeths "sweating bullets"
\m/
elbarto1 said:
Loved the voiceover taken from Christian Bales terminator 4 rant, but felt it was too loud and needed to be tweaked in an audio editor to lower the volume and possibly make it sound more internal rather than a loud recording from a set. but I felt it worked well.
I lowered it quite a bit as it was. I thought it was at a good level. Any lower and I think it might be hard to make out.
elbarto1 said:
Loved the ending "I know who you are" sequence. very well done.
Thanks.
elbarto1 said:
Cons:
during the intro credits there is a "white box" that appears where the editor covered some text. suggest panning/cropping that shot to avoid that area, or splice in a different peice of video from the same sequence. I rewatched it and its only "really" apparent when there is no text on the screen, the other times it is barely noticable.
I agree. It's beyond my skills to make that look "proper". I did the best I could.
elbarto1 said:
the 2 films differ in tone so greatly that they rarely transition well, for example Wayne is talking to Alfred on the jet in the beginning about becoming an incoruptable symbol, and then Bateman is a narcissistic creep talking about his shower routines. suggest removing batemans V.O. there, as it fails to show his decent into madness. he is just a creep all of a sudden. or maybe a 1 year later cue, to help us believe he has been "bateman" for a while already. otherwise it just feels out of place.
I struggled with that transition for a long time. I think the fade indicates a passage of time, but I understand what you mean.
elbarto1 said:
theres an odd transition (not a hard cut) @ the 1hr mark between the strangle and sex. perhaps a longer fade to black there?
That was on purpose. I wanted to show his heartlessness. One second he's killing Luis, the next he's sleeping with Luis' girlfriend and telling her that she's going to marry Luis.
elbarto1 said:
the Dark knight scene where we see bale in the batsuit sitting is odd, mainly because why is he wearing that? pan /crop the shot up so we cant see it.
Well, you only know it's a batsuit because you know the original. If you take it on it's own, he's just wearing something odd, that's all. He
is crazy.
elbarto1 said:
The audio in the "Dorsia" scene taken from the dark knight is slightly out of synch. its not way out, but just enough that you can see it. especially noticable when harvey dent says "you either die a hero or live long enough...."
I'll have to take another look at that. I never noticed it before.
elbarto1 said:
Suggest removing the batmobile on the news scene, I gather that the helicopter is supposed to be the same one from American Psycho, but it came off as confusing since we dont see bateman fleeing police in a "batmobile" perhaps just cut the TV and the "i didnt have time to observe the rules of the road"
Like the batsuit, you can only tell it's the batmobile if you know the original. There's a lot in his breakdown sequence that we don't see. Him hopping into a car/tank is one of them, if it even happened in the first place.
elbarto1 said:
hard cut at 1:34:53 where Raas Al Guul says "none of these people have long to live"
Well, it's not
that hard of a cut, but I could've smoothed that one out a bit better.
Thanks again for taking the time to watch/review.