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A few reviews
(07-31-2016, 07:53 AM)ThrowgnCpr Wrote: holy crap is kid's television bad these days

It's not all bad...



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I hate you for making me watch those.
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An Outlaw - 1964 - 6/10
AKA - Narazumono  /  ならず者

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Japanese hitman offs mob boss in Hong Kong streets.
Returns to hotel room for payment, finds dead, nude girl in his bed.
The mob boss turns out to be a government official, the dead girl the official’s daughter.
The hitman sees police arrive out his window and realize he’s been set up.
He escapes, but gets mistaken for a player in a drug smuggling operation.
He hides, in what turns out to be a brothel, and gets embroiled with sex traffickers.
This is the first five - ten minutes of a frantic, often confusing, movie.
Vintage postcard as scenes shift from Hong Kong to Yokohama to Macao.  Cool bluesy jazz score.
Violent yarn of betrayal and honor, though motives and participants baffling.
Bond fans, look for Tetsurô Tanba as cardsharp.
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Blues Britannia: Can Blue Men Sing The Whites? - 2012 - 7/10

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Documentary tracing the rise of the British blues groups.
First part covers touring black elder statesmen:  Muddy Waters, Howlin' Wolf, Sonny Boy Williamson . . .
Then the Brit generation follows:  Rolling Stones, Yardbirds, John Mayall, Fleetwood Mac, Cream, ending with Zeppelin.
Well done, though I wish the younger batch could lose the apologetic guilt.  Face it, when the old men died out, those skinny white kids were the ones who carried the tradition.
Doc packed with moments and stories.
Relf still missed.
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The Monster - 1925 - 5/10

On lonely country road, cars crash and drivers disappear.  Most perplexing to dense locals.
Meek clerk studies his “How To Be A Detective” manual and wonders aloud (in inter-titles) about the empty mental institution nearby.
First third of film packed with stale jokes, uninspired gags.
Naturally, a trio wind up in the sanitarium.

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Look out!  The asylum director is none other than Lon Chaney.
Events darken considerably, though comic relief springs at the worst moments.
One wonders if film makers worried audiences might die of heart-attacks.
Creaky, stagebound, mostly tiresome, punctuated with a few grisly, if not startling sequences.
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Infamous - 2006 - 6/10

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Toby Jones's portrayal came out the same time as Phillip Hoffman's in Capote.
Jones's is a bit more over the top than Hoffman.
This version also accents how the long judgment process affected Capote.
He couldn't publish “In Cold Blood” until the actual hanging was carried out four years later.
The waiting drained him.
This was a film I more "appreciated" as opposed to "enjoyed."
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The Nice Guys - 2016 - 6/10

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Better than Inherent Vice, not as good as Boogie Nights, this detective mystery does a nice job evoking the shallow, at times over the top, 70s.
Gosling and Crowe laugh out loud funny as bickering duo who stagger into hitmen, cover ups, porn stars, and great parties.
Plot completely derivative of TV of the era - Starsky & Hutch, Columbo, Streets Of San Francisco, many more - take your pick.
Song choices were wrong, clothes and cars acceptable.
Angourie Rice, as Gosling’s daughter, is a gem, though her admittance to adult parties - never, ever, ever.
Lightweight.  Keep expectations down and you’ll enjoy more.
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The Future - 2011 - 3/10

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Depressing tale of two sad sack whiners.
Early on, they decide to adopt a terminally ill kitty.
They bounce working from one meaningless job to another, quietly complain, and wish they were more successful.
I suspect the writer/director was making a point about disconnection - or life's pointlessness - or souls without direction.
Failure on all fronts.
Both actors delivered lines in monotone, suggesting they were on Quaaludes, Prozac or Lithium.
By the end of the film, their characters had not advanced one iota, yet I had lost 90" of my life watching this lifeless poo poo.
And the terminally ill feline?  Mope mope mope.
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Après Vous - 2003 - 6/10

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Late night, taking a shortcut, a head waiter notices a suicide attempt.
He intervenes - rescues, if you will - and takes responsibility for the man.
Lesson 1) Don’t take shortcuts.  Lesson 2) Mind your own business.
The wannabe suicide is a hopeless mess.  No job, no place to live, no self esteem.
Crucially, his girlfriend recently dumped him.
Just like you or I, the waiter sets out to rebuild the guy’s life.
Cotton candy, French fluff.  Not too talky, but certainly strains believability.
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The Cabin In The Woods - 2012 - 7/10

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I watched this grudgingly.  Definitely not the Joss Whedon fan.
The dialogue he writes for actors strikes me as twee and arch.
Film opened with 5 college kids driving for a weekend in the woods.
Christ, another dead teenager flick.
I hung with the movie, however, because there were mysterious lab technicians in a parallel narrative.
Curiouser and curiouser.
Deep into the plot, threads converge into a neat twist and a hair raising finale.
Belongs in an Horror fan's shelf.
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