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NOTES:
Artificial Intelligence is one of the first experiences in my life where I walked out of the cinema HATING the film that I had just seen.
The strange thing is, it wasn't like I hated everything about the film; there were many things about it that I found interesting and engaging (the concept of robots becoming human, the fairy tale aspect of the story, the archetypal "odd" characters, the questionable "morality" of the narrative). However, there were an equal amount of things in the movie that I totally despised and ruined whatever positive aspects that I had observed (especially the end, which to this day continues to infuriate me more than any other film ending).
Initially, this edit was started to develop a better ending for the film - at the same time, I discovered the original short story by Brian Aldiss that provided the basis of the film (which I totally fell in love with). So I decided to make the film more akin to the themes of the short story, in addition to changing the ending to better fit those concepts.
FanEdit Information
Original Title: Artificial Intelligence (or A.I.)
New Title: Artificial Intelligence [super-toys last all summer long]
Original Runtime: 2 hours, 26 minutes
Edit Runtime: 1 hour, 39 minutes
Time Cut: roughly 47 minutes
Software Used: Sony Vegas 7 (video/audio editing), Bauhuas Mirage (compositing), Audacity (sound editing), DVD Architect 4.5 (DVD authoring)
DVD Information (version 2.0)
DVD Format: NTSC - DVD9 DL
Region: 0 (region free)
Aspect Ratio: 1.85:1, 16x9 widescreen
Audio format: 5.1 Dolby Digital
Language: English
Subtitles: none
Custom DVD Menus
DVD Extras: Alternative Ending: "Happily Ever After..."
DVD Extras: Fanedit Trailers - "The Matrix Evolutions", "Silent Hill: Red God Remix", and "Noir Simulacrum"
Major Edits/Changes
Change/Cuts: David's Family & Monica aka "Mommy"
In the original story, the Swinton family really didn't give a damn about David: he was merely an object, a "toy" for them play with and use. The Monica character was more conflicted about her feelings for David than Henry (because David really did "love" his Mommy), but in the end, she continued to view him as an artificial mecha (never as a real child). For this Edit, I decided to remove any additional scenes/subplots that focused the story more on the Henry, Monica, and Martin characters instead of David: this was because I felt that once David finally "awakened" in the story (i.e., when he is imprinted onto Monica and became a true conscious entity), the film's focus should be entirely on him and his quest to become real.
Cuts: "Pool Party" + "Letters to Mommy" Scenes
The Pool Scene was one of the major scenes that I hated from the original film, both from a narrative point of view (Martin hates David... OK, we get it now...) and from a logical perspective (so spinach can harm David, but not water? WTF?!). With the scene gone, the ending that I developed for the Edit (David "dying" in the ocean) is now plausible and understandable.
The Letters Scene I was a little more hesitant on removing, because it was a scene from the original short story. However, Spielberg completely missed the point of it: in the short story, the focus of the scene was on David and his attempts to understand these feelings he had toward Monica; the film, however, he pulled the viewers focus entirely on Monica and her "dilemma" on what to do with David (also, the scene no longer had any context due to the Pool Party scene being removed).
Changes/Cuts: Gigolo Joe
Gigolo Joe never meets the murderer of his female client.
Cuts: No Philosopher Robots
I prefer it when a film's philosophical concepts are presented either informally or as subtext - NOT when characters on screen go jabbering on and on about Humanity's prejudices/intolerances and random crap like humans' "Rite of Blood". Also, I felt that only David (and to a lesser extent, Gigolo Joe) should be advanced enough to contemplate intellectual/emotive human concepts.
Cuts: Professor Hobby
A few minor cuts which dealt with Hobby and his son who had died (and who was the basis for David's design) - the notion is still there, except now it's just briefly implied (and doesn't beat the viewers over the head with scenes of Hobby looking at his dead son's photo).
Changes/Cuts: The Ending
This was the major reason I decided to do this edit, as I absolutely and completely HATE the ending of the original film. For me, having David finally realize the truth of his nature - that he can never be a real human, that he is a mere 'product' for humans to use and discard, and most importantly of all, that he will never gain the love of the one being that he loves above everything else (his "Mommy") - and then choose to end his existence rather than continue to live a never-ending lie, that is what I believe the end of A.I. should have been.
So we have the following changes:
- No jump to 2000 years into the future
- No aliens/robots (yes, they're technically supposed to be advanced robots, but come on Spielberg, get more original with their design!)
- No meeting the (fake) Blue Fairy
- No one day together with (fake) "Mommy"
- No going to sleep/being able to "dream"
Change: End Credits
For this, I switched the color scheme of the credits from "white text on a black background" to a "black text on a white background" scheme - the music for the credits was also changed from John William's score to a song of my choice (which is listed at the start of the end credits).
DVD9 DL "Version 2.0" version
Maybe downloadable from Fanedit.info