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Skyfall: Reborn by Problem Eliminator

Problem Eliminator

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I'm currently taking a crack at my own cut of Skyfall. Here's a teaser for now. ;)


Original film name: Skyfall
Fanedit name: Skyfall: Reborn

Original running time: 143 min
Fanedit running time: 135 min
Time cut: 8 min

Synopsis: This edit removes all references to Bond being old. Instead, he is simply old-fashioned and off his game due to injury. Additionally, a new gun barrel sequence opens the movie, two scenes are rescored, and the Roger Moore-esque casino brawl is removed, among other changes.

Other sources: Spectre; Skyfall Original Motion Picture Soundtrack (Thomas Newman); Spectre Original Motion Picture Soundtrack (Thomas Newman)

Special thanks: Thanks to Zarius and lapis molari for viewing and providing feedback and also to my brother for assisting with the gun barrel sequence.

Full change list:

-    Added fanedit disclaimer.
-    Added new gun barrel sequence to opening. Feels right to continue this tradition for the 50th anniversary Bond movie.
-    Cut discussion of VW Beetles between M and Eve (from here on called Moneypenny).
-    Trimmed shot of Bond’s Omega watch when he accelerates the digger.
-    Added additional sound effects to shots of Bond and Patrice fighting on top of train. This gives their fight a greater sense of danger and consequence. The original sound design on these shots is quite minimalist, as the film focuses on Moneypenny setting up her sniper shot.
-    Reduced artificial zoom that was added to shot of M looking out window.
-    Trimmed a few frames from shot of Bond sinking underwater, so that Adele’s song “Skyfall” is timed with start of shot.
-    Added “Reborn” to title.
-    Cut shot of M reading newspaper in car. She’s starting to feel like the main character now that Bond is supposedly dead.
-    Cut Bond saying he and M have been in the spy business too long. The idea that Bond is an old veteran who should retire comes to nothing by film’s end, where he is happily accepting a new assignment. It’s also strange considering the character was introduced as a new 00 two movies ago.
-    Cut Bond’s snarky reply (“Good question”) when M asks why he came back. Instead, he just sighs.
-    Cut Tanner briefing Bond during his physical tests. This is dry exposition from a dull character and all the info gets repeated later anyway. All we see of Bond’s tests are the shooting range and psych test.
-    Cut some of Bond and Moneypenny’s long-winded banter (“Not sure I’d survive your best shot” / “Doubt you’ll get the chance”).
-    Cut Mallory telling Bond “It’s a young man’s game.” Bond may be old-fashioned, and he may be injured, but he’s not an old man.
-    Didn’t cut any references to Bond’s age during conversation with Q. This scene functions to contrast Bond’s experience and skills with Q’s (or lack thereof), not to suggest that Bond is past his prime.
-    Cut Q’s line “Were you expecting an exploding pen? We don’t really go in for that sort of thing anymore.” A pointless reference to past Bond films and feels like an apology for the lack of fantastical gadgets.
-    Cut shots of Bond disguised as chauffeur in airport. Bond rarely uses disguises, so this feels off.
-    Rescored Bond hanging onto bottom of elevator. Original music sounds like Hans Zimmer’s Batman theme. Music is replaced with “Hinx” from Spectre soundtrack.
-    Reduced artificial zoom that was added to shot of Bond struggling to hold up Patrice.
-    Cut M watching YouTube in her house. Not necessary to check in with M here, and we learn about the endangered agents again in the next scene.
-    Cut lines after Moneypenny shaves Bond (“You look the part now” / “What’s that?” / “Old dog, new tricks”). Combined with the fireworks, this is overly suggestive of a sexual relationship (not intended, according to director). Also removes another reference to Bond being old.
-    Cut more long-winded, overly suggestive banter between Bond and Moneypenny. (“It’s amazing what one can do with an extra pair of hands” / “You’re telling me” / “Do you gamble?” / “I like a little flutter now and then. Who doesn’t like to take chances?”)
-    Cut Severine remarking on Bond’s concealed Walther after he remarks on her concealed Beretta. Their skills of observation don’t need to be evenly matched, and Severine smiling is a more interesting response to Bond’s remark.
-    Cut casino brawl involving CGI komodo dragons, a silly scene that doesn’t suit Craig’s Bond. This change also necessitates removal of Severine explaining that her bodyguards will try to kill Bond and her instructions for boarding the boat.
-    Cut shot of Severine looking sad that Bond didn’t show up before boat’s departure.
-    Recut Severine’s shower so that Bond doesn’t sneak up on her. Replaced creepy sounding music with a more romantic track (unused Skyfall track “Old Dog, New Tricks”) and cut all dialogue.
-    Cut Severine’s line “He made them think there was a leak at the chemical plant. It’s amazing the panic you can cause with a single computer.” Silva’s island is in ruins, and a gas leak doesn’t explain that. Better to leave the reason for the island’s abandonment to the viewer’s imagination.
-    Cut Silva reading from Bond’s employee file “pathological rejection of authority.” Doesn’t add up – Bond is a patriot, loyal to M and to the Service, and M is cast in the role of his surrogate parent (in this film anyway). Instead, Silva reads “unresolved childhood trauma” with no further elaboration.
-    Reduced artificial zoom that was added to shots of Severine tied up.
-    Cut overhead shot of CGI helicopters descending on Bond and Silva. This change makes the music a little awkward, but I couldn’t bring myself to keep the awful CGI.
-    Cut Silva laughing to himself after showing M his facial deformity. Makes him feel more calculating and manipulative and less like a cliché madman.
-    Cut Q’s line “This was years in the planning. He wanted us to capture him.” It strains credibility to believe that Silva planned all his actions in advance. Some were planned, sure, but some were down to improvisation and resourcefulness.
-    Recut train speeding towards Bond in tube so that it feels more exciting.
-    Cut Bond’s line “Why thank you” when talking to Silva in underground. Bond’s flippancy doesn’t suit the situation.
-    Trimmed shots of Bond staring at the hole created by Silva’s bomb, so he reacts more quickly to the impending danger.
-    Cut M mentioning 00 section at public inquiry. The 00 section is a government secret, not public knowledge.
-    Cut M’s line “So before you declare us irrelevant, ask yourselves: how safe do you feel?” which is an unpersuasive and fear mongering argument.
-    Added a snippet of Bond theme from track “Granborough Road” after Bond shoots teacups during target practice. This music was cut when I removed the casino fight sequence, so I wanted to use it somewhere else in the movie.
-    Trimmed a few frames from shot of Bond angry about the DB5’s destruction, so that Bond theme is timed with start of shot.
-    Horizontally flipped a few shots of Bond fighting Silva’s mercenary underwater so that Bond/mercenary don’t keep switching positions between shots. For some reason, the original sequence horizontally flips several shots, which confuses the fight’s staging. This can be seen by observing Bond’s watch, which switches from his left wrist to right wrist and back again several times.
-    Reframed shot of Bond in chapel doorway so that Bond is bigger in the frame and also centered. His entrance now has more visual impact.
-    Cut Bond’s line “Last rat standing” before Silva collapses. This is a clunky callback to Silva’s rat metaphor from earlier, and the metaphor is more intelligently alluded to in other parts of the movie.
-    Cut Moneypenny introducing herself to Bond. The idea that they went on missions without Bond knowing her first or last name is ridiculous. She simply sits at her desk, and the dedicated Bond fan can deduce she is Moneypenny.
-    Cut gun barrel sequence from end credits.
-    Replaced character name “Eve” with “Moneypenny” in cast credits.
-    Moved “50 Years – James Bond Will Return” logo to end of credits.
-    Added faneditor credit.
-    Other minor changes as needed.
 
I'd pay to see a movie where Bond does nothing but fan-edit all day ;)
 
/\
Great teaser. It's hilarious and you certainly peaked my interest! :)
 
Here are some clips I've been working on. The first two are rescores. In the elevator scene, I wanted to remove the music that sounds like Hans Zimmer's Batman theme, so I replaced it with a track from Spectre. In the shower scene, I wanted to make it feel less creepy and more romantic, so I removed the implication that Bond snuck up on Severine and replaced the music with an unused Skyfall track called "Old Dog, New Tricks." I had to rebuild the sound in both scenes, so any feedback on that is welcome. The last clip is just a rough version of the gun barrel sequence.



 
Problem Eliminator said:
...In the elevator scene, I wanted to remove the music that sounds like Hans Zimmer's Batman theme...
...In the shower scene, I wanted to make it feel less creepy and more romantic...

Well thanks for that! Now I can't unhear the synthesizer Batman in that scene. :p

Both are improvements! The elevator a minor one, the shower a major one.

The way you cut that plus the music, it reads that Severine has the two champagne glasses out because Bond is already with her in the cabin rather than she's expecting him. She smiles knowingly at the crewman rather than uncomfortably for having been stood up. And most significantly, they now look like two people who connect; albeit fleetingly, during the quiet before the storm; rather than a strong man forcing himself upon a chronically abused woman.

When the elevator moves above the glass partition, the mechanical sounds distracted me. Are they relatively louder now because the new music is quiet in that spot? The new track is perfectly aligned by the way: with the later moment where Bond's hand slips.

The music transition in the cabin, before the shower, feels a little abrupt. Not the transition moment itself, that's smooth. But it feels like the first music gets cut off before the end. Perhaps you can transition the music a few seconds later or (counter-intuitively) earlier?
 
Thanks for the feedback @"lapis molari"!

lapis molari said:
...rather than a strong man forcing himself upon a chronically abused woman.

This is exactly how the original scene feels to me. Super uncomfortable. I'm glad the recut version seems to work the way I intended, you worded it better than I could.

lapis molari said:
The music transition in the cabin, before the shower, feels a little abrupt. Not the transition moment itself, that's smooth. But it feels like the first music gets cut off before the end. Perhaps you can transition the music a few seconds later or (counter-intuitively) earlier?

Thomas Newman's track transitions that way from the strings to the part with drums. But if it sounds awkward, I'll play  around with it a bit.

lapis molari said:
When the elevator moves above the glass partition, the mechanical sounds distracted me. Are they relatively louder now because the new music is quiet in that spot?

I actually had to drop out the sound entirely, then add new sound effects and the new music track. I used the sound of an elevator moving to give the elevator movement a bit of presence in the sound mix. I think the problem is that the movie's elevator is super sleek and modern, but the sound I used is from an older elevator. For interest's sake, here's the scene with music muted, so you can hear the sound effects more clearly:

 
cover version 1- work in progress
skyfall%2Brebon-%2Bwork%2Bin%2Bprogress.jpg
 
Albert Finney died today, maybe you could add in an acknowledgement in the credits?
 
If anyone would like to preview this, just send me a PM.

In the meantime, here's what the elevator scene is sounding like currently. I'm pretty happy with it.

 
Problem Eliminator said:
In the meantime, here's what the elevator scene is sounding like currently. I'm pretty happy with it.

Nice! That's a solid improvement. This version lifts it from a different sound to a better sound.
 
I absolutely LOVE the gunbarrel test. Regarding the elevator scene, I'm thinking the sound effects (him clamping on, his grunts, breath, ...) are still just a teeny tad on the quiet end? Can you boost those just a bit more?
 
Just got done with the preview.

I know you told me in the PM the audio mixes weren't perfectly matched yet, but I didn't notice anything being too loud/quiet. 

There were a lot of excellent trims here, a lot of which tighten the bolts on the narrative, removing crassness, overexposistion, characters pointing out the bloody obvious, or redundant storytelling. I am a little dissapointed you couldn't retain the opening gunbarrel at the start, even if it looked like you had complications with it in your sample, but no big loss I guess., I liked your use of the replacement for it at the end just the same.
 
Thanks for checking it out @"Zarius"!

Zarius said:
I am a little dissapointed you couldn't retain the opening gunbarrel at the start, even if it looked like you had complications with it in your sample, but no big loss I guess., I liked your use of the replacement for it at the end just the same.

It looks like both you and @"Kal-El"  would prefer the gunbarrel be placed at the opening of the edit. I like it there too, and I can make it work (previous video was just a rough mock up). I actually moved it back to the end because I didn't think the ending worked very well, just cutting from Bond's face to the end credits. It felt anticlimactic. But I'll figure something out. :)
 
I'm nearing completion on this, just need to sort out the audio mix.

In the meantime, here's the gun barrel opening the movie (password: fanedit)

 
Yeah, that's tight, congrats on getting it right :)
 
This will be ready for release in the coming week. If anyone would like to view, just shoot me a PM. :)
 
This is now on ifdb. Check it out Bond fans. Thread moved.
 
57311606-668408206949398-2561055927356620800-n.png


Can I ask why the "Intention" was changed on my edit's listing? The submission had my intention written as "see above" (in reference to the synopsis), but it's been changed to say "I don't know." That makes it look like I didn't know what my intention was. Fanedit listings are usually written from the POV of the faneditor who submitted them. I have seen other editors write "see above" and it wasn't changed, so what gives?

Here's a new intention that can be pasted into the box:

To correct issues in tone and fix ineffective moments in visuals, sound, dialogue and plotting. Also to remove the unnecessary “old man Bond” conceit that makes it difficult to place the story in Daniel Craig’s timeline as Bond.

Thanks.
 
I was finally able to download it (had to download an app extension on MEGA to acquire the finished version), and have left a review.
 
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