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Hobbit: The Desolation of Smaug - Arkenstone Edition, The:
Hobbit: The Desolation of Smaug - Arkenstone Edition, The:

After countless edits of the Hobbit and a spiritual sequel to the first Arkenstone Edition made by me, the long awaited sequel to An Unexpected Journey: Arkenstone Edition is finally here. Was it worth the wait?

The technical details are so close to perfection, yet so far at the same time. All the editing is perfect, the video quality, for a 4GB file is very good (well, for the most part… I’ll get to that). However, while the audio source of everything else is pitch perfect, the sound quality for the source of The Desolation of Smaug Theatrical Edition is terrible. It sounds extremely hoarse and very low quality.

I think the video quality is also a drop in quality from the Extended Edition source, but it’s only noticeable because of the intercutting; as in if the whole edit was theatrical I wouldn’t have noticed (though the compression artifacts are more noticeable), but since there is intercutting between the two sources the issue is much more prevalent.

Unfortunately these issues affected my viewing experience negatively. This issue must be fixed: The sound quality (and picture quality to a lesser extent) must match the Extended Edition. This is the reason I gave the Audio/Video Quality a 5/10. Will change the rating when the issue is fixed.

Now that that’s out of the way, let’s look at my qualms about the narrative. First and foremost: the love triangle between Tauriel, Kili and Legolas. Now I know love triangles in general are a plague among pieces of art and literature, and must be avoided; however in this case the love triangle is surprisingly very well executed. Also, it serves a greater purpose, which is Legolas’s character development.

He starts out as a racist towards dwarves, just like all the other elves in the Woodland Realm. Only Tauriel doesn’t seem to have this prejudice. She cares about other races, she doesn’t deem her race as better than all others, unlike Thranduil (“Other lands are not my concern.”) Throughout the two films we see Legolas’s admiration towards Tauriel, and his jealousy towards Tauriel and Kili's relationship affect his view on dwarves. We see him having this inner conflict throughout the two films. An example would be Thorin saving Legolas from orcs at the Forest River, then Legolas returning the favor at Ravenhill. At the end, the effect of Kili's death to Tauriel also affects Legolas after seeing her so distraught. Seeing Tauriel’s love to someone he deemed lesser than their kind, has made him reevaluate his views. You see: his platonic love for Tauriel, getting to know her philosophy, and seeing her fight for Kili the dwarf she loves, changed his views. He is now a changed man ("I cannot go back"). We see the continuation of this progression as if it was meant to be in the first place, with Legolas and Gimli's relationship. The biggest pay-off to this progression comes in Return of the King.

It's also worth pointing out that the love triangle is also representing the end of the hatred between the species, and bridging them together.

I’m going to get a bit critical here; I hope you don’t mind. Let me go step by step with the scenes you cut:

1. The exchange between Gloin and Legolas: This is not just a quick laugh and reference to a LotR character; it’s also a large setup and natural beginning to Legolas’ character development.
2. Two scenes of Legolas feeling jealous towards Tauriel and Kili (bickering between the three by the cells, and Legolas watching them from a distance): Like I said, we need to see Legolas’s love for Tauriel and how he watches her and Kili. It continues his arc; he’s trying to comprehend how Tauriel could love such a being lesser than them.
3. Tauriel and Thranduil’s talk about the spiders, which leads to talking about Legolas’s feelings towards Tauriel. This scene is important so we can get to know Tauriel’s world view and personality. She makes it clear here that she cares about the outside world; she can’t simply stand by in the Woodland Realm while the rest of the world suffers.

This also begins Thranduil’s arc that carries over to The Battle of the Five Armies. He begins as a dick who doesn’t care about the rest of the world, but in TBotFA, not dissimilar to Legolas, seeing Tauriel fight for what she loves, and his own son supporting her decision, makes him think about his ideals, and reevaluate them.

Again, this scene also adds context to the love triangle.

5. The orc interrogation: important for no reason other than serve the purpose of being the precursor to the next scene I’m talking about…
6. Tauriel and Legolas by the lake: Great stuff, they argue over their ideals, Legolas wants Tauriel to return and obey Thranduil, while Tauriel firmly states that she cannot sit idly by while the rest of the world needs help. In the end, Legolas’s love for Tauriel makes him agree to fight alongside her.

Keeping all these in mind, their appearance in Lake-town, the skirmish, and the healing of Kili is much more rewarding, necessary, and deserved. Unfortunately, none of this can be found in your fan edit. I realize this is done to keep the focus on Bilbo, but in doing so you have severely weakened both Tauriel’s and Legolas’s characters; now, they’re just there to kill some orcs. There is no substance left. Tauriel and Legolas suddenly appearing in Lake-town now feels extremely forced and undeservedly convenient.

I also had a different issue; there was a scene that you cut containing the dwarves seeing the Lonely Mountain up close. It’s a very emotional scene; the goal they’ve been talking about for two movies is ever so closer. They’re almost home. Plot-wise it may not be that necessary, but character-wise it’s essential.

One thing that stuck to my mind was the ring scene in Mirkwood. Seeing as the baby spider murder was thankfully removed, Bilbo’s reaction to the ring felt very strange to me. It still works, but it’s confusing, why does he get so shocked, is it because he killed the spiders above? He had to do that to save the dwarves. But that’s quite alright, it works, just a bit strange.

Another minor problem I had was with one instance with the rescoring. The rest of the movie had perfect rescoring, but when Bilbo is confronting Smaug I think Jackson made the right choice to make it silent sometimes. More specifically the rescoring over “You carry something” and the lead-up to it felt tacky. In the original movie it felt tenser, but that’s just my opinion.

Finally, I wish you had included the main Hobbit theme from An Unexpected Journey.

Now I feel like I have to talk about the positives, because I really don’t want you to think I hated your fan edit. Quite the contrary, I was very satisfied. Every single decision you have made, excluding the ones I’ve mentioned above, improved the movie a LOT. I thoroughly enjoyed this.

Keep up the wonderful work!


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