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A few reviews

Just "watched" Afterschool (2008), because the trailer looked vaguely interesting. My god is it the slowest slice-of-life movie I've ever seen. The most interesting part about it are the IMDB reviews, which are solidly split on whether it's a fantastic piece of art or an empty waste of celluloid.

Personally I thought it conveyed the environment and the monotony of teenage school experience fairly well, with a bit of coming of age stuff thrown in, the main problem is I have no idea why anyone would actually care to watch it when the takeaway is "yup those are teenagers". There's a bit of drama from the incident in the trailer but it doesn't really go anywhere.

The camera framing is also the strangest I've ever seen, with the subjects often partially or completely off camera and excruciatingly slow pans over empty space while halting conversations are had in the background. It gives a sense of place and time, but not exactly enjoyable, much like the rest of the film.
 
^I get what you're saying. I think it's a result of everything post-70s coming about in a less-principled time. Fresh off Watergate, Americans could still say "I object on principle alone!" because we thought we still, as a nation, as a people, had some. No need to have a leader of any sorts, or someone Harry personally knows. He may not have sought out this fight, but he got sucked into it and now it's his. 'You can't let the bastards win!' Only it's 1974, and you don't have a choice if they win. You only thought you did.

I see what you're saying also, and it's worth noting Coppola wrote the script in the 60s, but I don't think Caul is the right character to embody the US' old school, "aw shucks, always tell the truth and do what's right" spirit. He's a professional snoop, so at best, most of his job revolves around marital infidelities. And it's not as though organized crime was unknown in the states before Watergate - Al Capone had been a legendary figure, after all. So, sorry, but the movie just doesn't work wonders for me on a societal or character level. :)
 
I see what you're saying also, and it's worth noting Coppola wrote the script in the 60s, but I don't think Caul is the right character to embody the US' old school, "aw shucks, always tell the truth and do what's right" spirit. He's a professional snoop, so at best, most of his job revolves around marital infidelities. And it's not as though organized crime was unknown in the states before Watergate - Al Capone had been a legendary figure, after all. So, sorry, but the movie just doesn't work wonders for me on a societal or character level. :)
I’m with @mnkykungfu. I think Francis Ford Coppola had the greatest four movie run ever with GF, The Conversation, GF2, and Apocalypse Now. They are different movies—even GF 1 and 2—but for me they are all virtually equal in quality.
 
I see what you're saying also, and it's worth noting Coppola wrote the script in the 60s, but I don't think Caul is the right character to embody the US' old school, "aw shucks, always tell the truth and do what's right" spirit. He's a professional snoop, so at best, most of his job revolves around marital infidelities. And it's not as though organized crime was unknown in the states before Watergate - Al Capone had been a legendary figure, after all. So, sorry, but the movie just doesn't work wonders for me on a societal or character level. :)
Not trying to convince you. Sorry you're missing out on the experience of this one. I wasn't suggesting anything like "aw shucks" though. There's a different kind of standing on principles that doesn't have to do with being squeaky clean or naive. But if it doesn't register with you, then what can you do, eh?
 
Dune: The Alternative Edition Redux (1984)
I've watched David Lynch's 'Dune' more times than I can remember since I was a kid, in various different versions and transfer qualities (sadly never at the cinema... yet). This time it was Spicediver's 'Alternative Edition' fanedit (which I've seen before) included on the big 6-disc German UHD/blu-ray boxset, in mostly lovely 1080p (due to some rare deleted sequences varying in resolution). In my opinion (not widely held), Lynch's 'Dune' is near perfect already, so it doesn't need changing but I'm happy to have more of the thing I love. e.g one of my favourite moments in all of cinema is "...also known as Dune... DUUH DUUH DA DAAAAH!!!" so having that changed, however beautifully edited and audio mixed by Spicediver, isn't what I'm ideally looking for in a fanedit. Lines are removed, music is changed, scenes are reordered to flow differently with new ones etc. 15MaF's 2.5-hour, all-HD, mostly just extended 'Deluxe Edition' fanedit is more my speed, it's the TV cut stuff but polished to the Lynch high standard. However, moments like Thufir's death are beautifully integrated here by Spicediver, even if the source video quality is very poor. Thankfully all of these different cuts can co-exist on my hardrive together (and now in my blu-ray collection), so the 'Alternative Edition' is great for the times when I want a different and more fulsome take on the material available.




The Sleeper Must Awaken: Making Dune (2021)
This feature-length documentary on the making of David Lynch's masterpiece (in my opinion) is so much more than I ever hoped to see for such a historically maligned film, that I'll happily overlook flaws that would put me off, if this was a doc on an already over-served Sci-Fi property. Unless I'm very much mistaken, this is a "lock down" doc, which wisely doesn't feature any lo-res Zoom videos but the audio of the interviews is characteristically inconsistent and rough. It's also a tad light on actual behind the scenes footage and the decision to go with the scope AR doesn't suit the photo & art materials it does present. Still, I'm such a fan of the 1984 film and was so delighted to see/hear something on it at all, that I had a total blast watching this for 82-minutes! The amusing anecdote about trying to get Orson Welles to sign back on as the Baron (after he'd been lined up for Alejandro Jodorowsky version) was news to me.

 
Woah...Welles as the Baron?? 🤯 That would change everything!
 
Miraculous Ladybug: The Movie
I watched this one with my black cat. Mixed bag. I respect it as an improvement over the show (I saw the first season back when it was new) but it’s still nothing award worthy. The animation is significantly better, as is to be expected from TV to movie, but I felt the writing was a bit better too, if not by much. Seriously though, this movie is absolutely gorgeous, doubly so compared to the plastic Fortnite looking show.
The songs were fine but I didn’t remember any of them. I did like how Tikki’s song to Marinette in the antique store was a variant of the main theme. That was neat. I didn’t like how Marinette’s singing voice was clearly an octave lower than her normal voice (in the French version). I found that pretty distracting, as it’s really obvious those are two different voice actresses.
The movie had a midpoint music montage, which really took me back to Sam Raimi’s Spider-Man as all of those had one to establish a new status quo. This film used the method to the same effect. Despite this time skip, it only came after the Tuileries showdown, which was a bit of a problem for me. Marinette transforms once for Notre-Dâme, decides she hates it, then turns around and is fully committed by the next time there’s chaos. That in itself isn’t an issue. The problem comes from the fact that she’s seemingly master being Ladybug by the time of that second transformation. When did she hone all these skills?
I appreciate how much better they handled Nino and Alya’s relationship than in the show. The way he was in love with Marinette then pretended to be in love with Alya only to eventually actually love her never sat right with me.
One thing that was kinda strange was how little Master Fu was used. I expected him to personally interact with Marinette and Adrien in some capacity to explain their jobs but he just leaves it to the kwami. Cat Noir’s origin is also glossed over completely. Him meeting Plagg happens almost entirely offscreen. I get the desire to keep the focus on Marinette but I thought that was a pretty glaring omission.
I’m astounded at how many things aren’t explained. These are things that someone like me who’s seen the show understands but for the parents watching this with their kids? They’ll be lost in parts. Not completely, but stuff like the cataclysm and bye bye little butterfly are never explained and in fact only occur once each, where you’re just supposed to already know how they work. The movie also never provides any reason for Ladybug and Cat Noir not disclosing their identities to each other. It’s a straight up plot hole, since the entire love plot revolves around this.
The finale confused me a little as to whether they were aiming for a one-and-done or a string of sequels. They know the brand is profitable so I wouldn’t have faulted them for aiming for sequels but then they resolve everything at the end. Okay so I guess it’s standalone…except no, we’ve got a post-credits scene that isn’t even post-credits showing Nathalie with Emilie (wearing the peacock miraculous) and a voiceover from Gabriel. It’s incredibly vague but maybe someone who’s seen all two billion episodes knows what that’s about.
Either way, Hawkmoth’s whole storyline seems complete, which makes it all the more jarring when he teases a sequel like that afterwards. Hawkmoth and Cat Noir know each other’s identities and Hawkmoth gave up as soon as he found out so that’s clearly over. Meanwhile through all this they go through a bunch of gymnastics to not have Ladybug and Cat Noir discover each other’s identities in the same scene, only to then reveal them a few scenes later.
Speaking of which, Marinette reveals her identity to Adrien, but he never reveals his to her. I think we’re supposed to assume she figured it out because of his mask but I’m not sure. It’s really quite confusing. And why reveal their identities now? No reason is given.
Oh and I didn't like Tom in this one. Clingy dad Tom is an annoying subplot that goes nowhere.
Overall I’d say I enjoyed it but not immensely. It was a decent watch, but nothing remarkable.
 
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