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Die Hard 'til Midnight:

I remember many years ago when it was rumored that one of the initial ideas for A Good Day to Die Hard was a crossover with 24. After watching this, I kind of wish that actually did happen because the style of editing 24 goes for, what with the split-screen and real-time, works shockingly brilliantly with this film, adding to the urgency, suspense, and excitement of the scenarios and action, and miraculously without coming off as a pointless, cheap gimmick. This is great stuff.